A Quote by Eric Braeden
To establish personal relationships with the people you work with is stupid, because you never know when the winds will change. I try not to get too close to people.
Related Quotes
People are doing too much e-mail. The basic thing is eyeball-to-eyeball. Business relationships are made to be personal. The more people get away from it, the more they are going to lose that personal relationship. That's what I learned - to develop personal relationships with people.
I have never felt comfortable around people who talk about their feelings for Jesus, or any other deity for that matter, because they are usually none too bright... Or maybe "stupid" is a better way of saying it; but I have never seen much point in getting heavy with either stupid people or Jesus freaks, just as long as they don't bother me. In a world as weird and cruel as this one we have made for ourselves, I figure anybody who can find peace and personal happiness without ripping off somebody else deserves to be left alone. They will not inherit the earth, but then neither will I.
The objective of Nonviolent Communication is not to change people and their behavior in order to get our way: it is to establish relationships based on honesty and empathy, which will eventually fulfill everyone's needs.
I think my wife puts up with me 'cause I try. I think that's all any guy can do is just try. That's right! 'Cause we ain't never gunna get it. 'Cause as soon as we get close you ladies change it. It's like this memo goes out, 'they're getting close, change it, change it!'
I know people who try open relationships. People I really care about, they're fine with it. That's a personal decision.
There are times in every friendship when you or your friend are too busy to call or are more focused on other relationships. It will hurt, but it's rarely personal. Making it personal usually makes things worse, and being too clingy or demanding can drive a friend even further away. Like people, friendships can get 'overworked' and need to rest.
Facts are, directors are not thinking of me; they think I only act in my films, because they're stupid. Or they think I'm a control freak, that I will try to, I don't know, pimp their scripts and just change everything, which I will never do.
I try not to push characters too close to myself because they get harder to write, but as a writer, you try to find odd little personal experiences that you hope are universal or think might be universal.
When you make music you have to listen to people's opinions and keep working on your music. A lot of people will try to get you down because they don't realize how much you love it or maybe they are just jealous... Sure it will never be perfect, but never give up and work until you'll be satisfied!
... Really get to know and establish relationships with your teammates because they are your new family and they will be the ones there for you when anything goes wrong.
The main thing that I learned from editing is that most people, when they're making a film, they start too early into the story. They will try to set up the characters, they will try to establish things before the plot actually starts.
Yeah, it can be dangerous to kind of try and target your art to a certain type of people! You don't know who's going to gravitate towards your work, you never know what people are going get out of the work. So I try and just create music that feels true to my taste, and then see what happens.
As long as one uses the SMS facility to keep in touch or for work, it's okay. But, it should never intrude into your personal sphere. There are people I know who use it in relationships and there one has to draw a line.
People are too lazy and too stupid to think for themselves that we've got sitcoms with canned laughter that lets you know when to laugh if you're too stupid to know when the joke is.
If you change, it's because you want to. I will never change, and I never could change because the people around me are the same people who have always been there. My friends are the same, and that means you can never forget where you came from.
As soon as I started working at the 'Los Angeles Times,' people warned me not to get too close to artists because it could make it difficult to review their work, and you can never really tell if the 'friendship' is genuine.
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