In film, it's very important to not allow yourself to get sentimental, which, being British, I try to avoid. People sometimes regard sentimentality as emotion. It is not. Sentimentality is unearned emotion.
I think that's the great thing about music: It can communicate emotionally. And you don't have to necessarily get all of the words. I mean you have to know what is being said, but didn't you find even if you didn't get all of the words, you certainly get the emotion?
I think we are doing some very edgy things and I think what you see on our social media is not necessarily what you will see in our television product which I do expect to be much more advertiser friendly than ECW. But that doesn't mean that we won't push the envelope sometimes, that doesn't mean that you won't see really exciting high spots.
As an actor, it's all about whether you can sell the emotion on your face... that desperation, the panic and rage that comes with combat. The emotion of combat is important to me. I mean, you feel almost sick if you see a real fight where someone is getting badly beaten up. You can get emotionally involved in combat that has nothing to do with you in real-life, let alone if you are actually in it... or it's someone you know, and so you should have those same feelings on film.
Sometimes it's important to get out of that comfort zone and, I think, try new things, and sometimes you can express yourself better.
How to survive boarding school. Do not express emotion, do not feel emotion, do not have emotion. If someone hits you, hit them back, if someone argues with you, argue back, never give in an inch, never look vulnerable and you will survive.
One thing I think is that comics are really good at expressing emotion. I think there's a way that comics characters can be drawn not-realistically, but the emotional reality is still very sincere. So you can have these exaggerations that express inner emotion through physical appearance.
I think most women are sitting on all this rage we've never been allowed to express. It's an emotion that I think that people find quite unattractive in women which is why you don't see it very often.
Emotion operates, very often when you think about how you react to the world, you know, something is happening to you, you're simply going along and you're being confronted by different things, not necessarily very important or significance for your ultimate life, but you are constantly reacting to the world.
One thing I learned a long time ago is that even if you think you're meant to be with someone, that doesn't necessarily mean you get to be with them.
I always want the audience to identify with my character in some way. I mean, sometimes you'll get characters that aren't very identifiable. Sometimes you can't relate to your character at all. I think it's important to keep the audience interested. But the best advice that I've gotten is to live in the moment.
You usually get one or the other, you get someone who knows how to tell a story but they don't necessarily know about light and camera and rhythm, or you get someone who can make beautiful images but they can't necessarily tell a great story. He does both and I think he's going to be one of the film-makers that our time is remembered for.
I'm very tech-forward. However, I also think hitting the pause button is not a bad thing, and really connecting with people one-to-one viscerally, having a connection with someone, is really important.
Teamwork is very important. A music label who has that kind of knowledge is very, very important for the artist to grow on that level. Otherwise, all the artists get into that zone of doing things themselves, sometimes the song works, sometimes it doesn't.
I think melancholy is kind of a misunderstood emotion. I don't think it's necessarily an unpleasant or bad emotion.
People, based on their emotion, will express support for the sentiment, not necessarily the specifics 'cause there are none.