A Quote by Eric Cantona

You can feel very quickly as a prisoner of your past, of the memories. — © Eric Cantona
You can feel very quickly as a prisoner of your past, of the memories.
To me, that's where memories are very interesting because what happens when we start losing memories? What happens when you can't take your memories with you? Who are we without our memories, without our past?
As long as you hate your enemy, a jail door is closed and a prisoner is taken. But when you try to understand and release your foe from your hatred, then the prisoner is released and that prisoner is you.
You cannot be a prisoner of your past against your will. Because you can only live in the past inside your mind.
What remains of your past if you didn't allow yourself to feel it when it happened? If you don't have your experiences in the moment, if you gloss them over with jokes or zoom past them, you end up with curiously dispassionate memories.
Those first memories of my modeling career are not my favorite. At the beginning, it was tough. I was very lucky, my career took off very quickly, but still. All the memories I have about first casting in general - they're not nice. Just because there's so many girls, so much competition. I don't blame those casting directors, they see so many girls and they can't be nice to everybody. But you don't feel like a person, you feel like a number.
You have your wonderful memories," people said later, as if memories were solace. Memories are not. Memories are by definition of times past, things gone. Memories are the Westlake uniforms in the closet, the faded and cracked photographs, the invitations to the weddings of the people who are no longer married, the mass cards from the funerals of the people whose faces you no longer remember. Memories are what you no longer want to remember.
Obviously the facts are never just coming at you but are incorporated by an imagination that is formed by your previous experience. Memories of the past are not memories of facts but memories of your imaginings of the facts.
An artist must never be a prisoner. Prisoner? An artist should never be a prisoner of himself, prisoner of style, prisoner of reputation, prisoner of success, etc.
I do read very, very quickly. I do process data very quickly. And so I write very quickly. And it is embarrassing because there is a conception that the things that you do quickly are not done well. I think that's probably one of the reasons I don't like the idea of prolific.
Memories, even your most precious ones, fade surprisingly quickly. But I don’t go along with that. The memories I value most, I don’t ever see them fading.
The autobiographical self is built on the basis of past memories and memories of the plans that we have made; it's the lived past and the anticipated future.
Witness your thoughts, moods, and behaviors. They represent your memories of the past, and by witnessing them in the present, you liberate yourself from the past.
Dreams are composed of many things, my son. Of images and hopes, of fears and memories. Memories of the past, and memories of the future.
We are all here for some special reason. Stop being a prisoner of your past. Become the architect of your future.
How quickly a zek (a prisoner) gets cheeky-or, putting it in literary language, how quickly a man's requirements grow.
Memories of the past are not memories of facts but memories of your imaginings of the facts.
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