A Quote by Eric Cantona

I like to be fascinated by the people I photograph. Sometimes I don't admire them but I'm interested in them. — © Eric Cantona
I like to be fascinated by the people I photograph. Sometimes I don't admire them but I'm interested in them.
I'm more interested in photographing people who have done something, like writers or directors - even billionaires - as long as I can study them before I photograph them.
People are fascinated by space flight. It makes them interested in science, gets them asking questions and motivates them.
A photograph never grows old. You and I change, people change all through the months and years but a photograph always remains the same. How nice to look at a photograph of mother or father taken many years ago. You see them as you remember them. But as people live on, they change completely. That is why I think a photograph can be kind.
I'm just fascinated by houses. In another life, I'd have probably trained as an architect. If I had enough money, I'd collect them like other people collect teapots. I don't know why I love them so much. I'm just very interested in the idea of a house as a metaphor for the way one lives.
To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never have; it turns people into objects that can be symbolically possessed. Just as a camera is a sublimation of the gun, to photograph someone is a subliminal murder - a soft murder, appropriate to a sad, frightened time.
I pass by people, grazing them on the edges, and it bothers me. I've got to admire someone to really like them deeply - to value them as friends.
I guess my choice of medium depends on how I want to interpret the idea. Sometimes the interpretation works best in a photograph, and then sometimes it works best in a drawing. But most often times, with the work, everything starts with the diorama with the photograph. Then I'm just filtering out ideas and images from the photograph and reinterpreting them in other mediums.
People who work in factories or in the woods or maybe a dairy farm - for years, I've been fascinated with people like that. No pretensions. They just live their lives. I found them beautiful. They were all I seemed to be interested in writing about.
I like to photograph people who have strength and dignity in their faces. Whatever life has done to them, it hasn’t destroyed them.
Again, like I said, my life has been about being fascinated by objects and the stories that they tell, and also making them for myself, obtaining them, appreciating them and diving into them.
As a child, l was fascinated by gemstones in the way that small children are fascinated by dinosaurs or trains. Stones seem very physical and look like sweets. You can look at them microscopically and imagine things about them.
I want men to admire me, but that's a trick you learn at school--a movement of the eyes, a tone of voice, a touch of the hand on the shoulder or the head. If they think you admire them, they will admire you because of your good taste, and when they admire you, you have an illusion for a moment that there's something to admire.
You can tell a person's morale from their Twitter feed. I like that; it's so honest. And I like being able to follow people who I respect and admire, and the possibility of them seeing my comment about them.
I love the people I photograph. I mean, they're my friends. I've never met most of them or I don't know them at all, yet through my images I live with them.
I love working with women. I think they're beautiful. I like to photograph them. I like the way they interact. When I was in high school I used to hang out with the girls. When I went to graduate school, I was in an all girls school. So it's something I'm very familiar with and quite fascinated by.
Most exotic animals are not particularly interested in people, which makes it hard to provoke them. Human-rearing gets them used to and sometimes imprinted on humans, which makes them potentially dangerous.
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