It's hard to really get that excited about movies. Think about it like this: how many good comedy movies come out a year? Maybe one or two? And then, in those movies, what are the chances that there's a character that I'm the best fit to play? It's really small!
I know that in order to be considered successful, you're supposed to do two or three movies a year. I only work once every year-and-a-half, sometimes two years. I have children to raise.
I know that in order to be considered successful, youre supposed to do two or three movies a year. I only work once every year-and-a-half, sometimes two years. I have children to raise.
I think every year we get better at running BlizzCon. The scale of the event is so large and I think people appreciate the logistics involved in putting on such an event.
I think the whole stigma of 'black movies' is slowly being lost. When you look at movies like '12 Years A Slave,' to 'The Butler,' to 'The Best Man,' to 'Ride Along,' to even 'Think Like a Man' from last year - these movies are just good movies.
I think it helps the writers to sell their books, if they announce my attachment, but it doesn't mean that I'm going to make the movies in the next year, or two, or three.
We typically make movies that are geared towards 18-year-olds. The people who pay and go to movies more than two or three times are usually under 22, so I get how it works. I don't really want 18-year-old boys to find me that attractive, that kind of would creep me out at this stage.
I had a couple of movies that I was passionately involved with that I could never get made. 'Richard Pryor,' I wrote for - gosh - over a year. That was close to getting made for two-and-a-half years after that. We're still pushing it, you know. It is weird. Suddenly you wake up and it's like, 'God, five years have gone by.'
I had a couple of movies that I was passionately involved with that I could never get made. 'Richard Pryor,' I wrote for - gosh - over a year. That was close to getting made for two-and-a-half years after that. We're still pushing it, you know. It is weird. Suddenly you wake up and it's like, 'God, five years have gone by.
I think basketball has changed tremendously and for the better. I think that obviously the game is better. I think the skill of the players are better, the strength, the overall athleticism, the teamwork involved. I think coaching is better. We have more exposure for our game than ever. You know, our sport has grown significantly in really the last five years. It's pretty amazing.
If you think about TV series, we make 16 one-hour movies a season. You don't get any opportunity like that in movies. I mean, I can't say I'll be able to do 16 movies in the next year, and so that's how I see it.
I love to not work. I love to go to the movies, I like to travel... I think I work maybe half the year. Sometimes, people think I've done three films in a year, but it's because I did a participation [cameo?] in a film. But I work for half a year, no more.
I don't know if it's fair to say that it's a bad time for movies. It seems to me that throughout the entire history of filmmaking, every year there have been about two really wonderful movies, about 10 others that are pretty good, and a whole pile of garbage.
What I'd really like to do is make maybe two or three movies a year.
I think there's a possibility that comic book movies are getting a tiny bit better on the one hand because they're no longer made by executives, who are, you know, ninety-year-old bald tailors with cigars, going, 'The kids love this!'
I think that movies are really fake; they should be fake. I don't think my way is any better than anybody else's way, but I know they're not real. I like to lean into the make-believe aspect of movies. That's why they're better than real life.