A Quote by Eric Carmen

When the second album came out, everybody gravitated immediately to the three and a half minute rock tunes and ignored the ballads. They thought all the Raspberries were was players of high-energy rock songs.
It was only later that I found out there was good '70s rock like the Raspberries and the Flaming Groovies. I always gravitated toward the '60s music more, though, like the Kinks, the Who and the Beatles, of course.
It's perhaps easier to say what prog rock isn't than what it is: it's not three-minute pop songs, it's not straightforward rock, metal, blues or jazz, but can have elements of all them and more. It's a form that is on the boundaries of many different forms, that is open to all sorts of influences.
Well, after Zombie Birdhouse came out, I toured behind it in the fall of 1982, into the spring, and in the summer in the Far East. At that time, I found my work self-referential; it was getting to be rock songs about a rock singer who lived a rock life on the rock road, and I was starting to wonder what I would be like to rent my own apartment, what it would be like to have a checkbook.
I wanted to have a band that could rock as hard as the Who and sing like the Beatles and the Beach Boys; a band that could play concise, three-and-a-half minute songs with power and elegance.
Pat Benatar might need a rock band, but I can just sit with a blues guitar for an hour and a half and do folk songs and great contemporary ballads, and not many people can pull that off.
No matter what though, there's always rock & roll. There's rock 'n' roll in hip-hop, there's rock & roll in pop music, there's rock 'n' roll in soul, there's rock 'n' roll in country. When you see people dress and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock & roll. Everybody still wants to be a rock star.
I love jam bands, but I still like a three-and-a-half-minute rock song.
I think there's nothing better than seeing a three-chord straight up rock 'n' roll band in your face with sweaty music and three minute good songs.
There's rock n' roll in hip-hop, there's rock n' roll in pop music, there's rock n' roll in soul, there's rock n' roll in country. When you see people dress, and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock n' roll. Everybody still wants to be a rock star, you know?
Just about every rock band and every guitar player from 1964 to 1984. To me, that's the golden period of rock. From the first Beatles album hitting America to the last Van Halen album with David Lee Roth. That's where all my favorite rock exists.
When I was in high school, there were these British blues-rock-type bands with really good guitar players that would jam on one song for half an hour. And as much as I was amazed by some of those guitar players, seeing them prompted me to make a note that that's not something I could do.
Three-6 Mafia, we were always doing different kinds of things, and we like rock music, we like whatever - not saying they was rock, but they had a little rock-n-roll with some of their music, a little rock with it.
There were incredibly few rock songs making it out to the airwaves until the '80s came along.
I started just concentrating on songwriting when I was abut 20; I'd been in rock bands six or seven years, kinda got that out of my system, I said, "ok, you ain't gonna be a rock star, you don't look like a rock star, it probably ain't gonna happen. So what you should do is write songs and maybe other people will do your songs."
Rock and roll and swing never quite mixed. Rock and roll came in and just blew everything out of the water. Big bands were dead.
I sat down one night and wrote the line rock, rock, rock everybody.
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