A Quote by Eric Church

The key to songwriting is just to be able to observe, and put yourself in situations to be around people, and let those ideas come to you. — © Eric Church
The key to songwriting is just to be able to observe, and put yourself in situations to be around people, and let those ideas come to you.
It's just a lot of fun to be able to see your ideas come into fruition. And to see people translate the things that come out of my mind vocally. And to be able to produce vocals and give people my point of view musically. And to be able to sit in the crowd and see people sing the song that I wrote, it's an amazing feeling.
Besides the soothing effect it has, I think my favorite part of writing is being able to use my imagination and creativity to make new ideas and people and situations come to life.
I just feel like I've been in a lot of high-pressure situations, and I think I'm able to stay poised in those situations.
It's much easier to cheat than it is to be loyal. Everyone goes through down times. You just don't put yourself in those situations, you know?
Observe the life like a wise tree by the side of a calm lake! Do not move; just sit and observe! Observe the Sun, observe the storms; observe the wisdom, observe the stupidities!
You grow up always thinking you'd be in pressure situations all the time, and that's why I put pressure on myself in practice, so when those situations come in the game I feel I can be successful.
I don't think there's any excuse for not being able to put on a beautiful product and make yourself feel fabulous. Just have some key pieces in your wardrobe that aren't seasonal.
I made advances towards multiple women in work-related situations, where it was clearly inappropriate. I put people in compromising and inappropriate situations, and I selfishly took advantage of those situations where I should have known better. My behavior was inexcusable and wrong.
You just have to know that there's people watching you, and you've got to be a positive role model and not put yourself in bad situations.
Being able to chuck ideas around and bounce ideas off each other with anyone I'm working with is just something I love to do, that's how most of these ideas are formed.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last. Some people start with the lyrics first because they know what they want to talk about and they just write a whole bunch of lyrical ideas, but for me the music tells me what to talk about.
It occurred to me that memorials shouldn't be grand. If you really want to honor the memory of a tragedy, you shouldn't create areas of calm reflection. You should make people uncomfortable. Put them in the shoes of those who perpetrated and those who suffered. Then ask, would they be able to forgive in these situations?
Ideas come mostly bottoms-up. They come when you have a free flow of ideas and you have people able to combine multiple ideas into one concept... And you've got to have competition, too. You've got to say, 'We're going to have 10 different ideas, nine of them are going to fail, and the one that does the best is going to move forward.'
There's a standard of songwriting that, when you start immersing yourself in those types of songs, it raises your own bar as a songwriter. There's also simplicity in the songwriting. It's much harder to be simple than it is to be complicated.
I somewhere along the way became fascinated with exploring characters who are willing to put themselves into violent situations, whether it's football, hockey, boxing, being a cop, being a soldier. There's not a lot of people who are willing to put themselves into those situations.
Ideas are abundant. Practice giving your ideas away. If you hold onto ideas too tightly, you can convince people (and yourself) that you may not come up with any new ones
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