A Quote by Eric Clapton
The Yardbirds came in to the Crawdaddy Club a week after the Stones finished their Sunday night residency. They had done it for almost a year, I think, and then we did it for a year. It was better when they were playing there because when they went they took half the crowd with them and it took us quite a while to build up our own following.
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I didn't work for a year after Wall Street. I finished that in November, and then it was the following October that I did Drive, so I took a year off. I didn't do anything at all, really. I just hung around.
Because after my first year I had a lot of success, took everybody by storm, came back the next year thought it was easy and didn't have near the season I had the previous year. It was kind of a wake-up call. And so, life goes on.
At first, after my freshman year, it was kind of a joke, going into my sophomore year like, 'Hey, I wanna graduate in three years, two-and-a-half.' And we were just kind of playing with it, added some extra classes in, and then once I finished that following spring going into that next summer, it was just like, 'Hey, I can actually do it.'
The year I gave up the 150-catch streak I had an ankle injury and didn't want to go back in because I'd have a better chance of playing the following week.
We planted the church by starting a Sunday night outreach. The very first Sunday we had 70 people turn up. The second week, there were 60, the third week, 53, and by the fourth week, 45. I've often joked that we worked it out at the time- we had only four and a half weeks left until there were no more people. It was about that time that we had our first ever commitment to Christ. We outgrew the school hall after 12 months. The crowds were so big that we were using road-case as the platform, and what should have been the stage as a balcony so that we could fit more people in.
Before, there were only four pay per views throughout the whole year. Guys who were doing soap opera storylines could build them up week after week. We had longevity, and that is one of the main reasons why people remember.
Once I got a record contract, and I took my songs which weren't quite finished, or maybe they were a good idea, maybe they weren't. I took them into the studio and developed them. They came to life and they evolved... and they're great.
I was 3 and a half, and there was an open call for a Coca-Cola commercial. We were living around Dallas, and my mom took me. I think they were calling for 16-year-olds that could ride horses and swing a rope, and for whatever reason, my mom took me up there when I was 3. But I always had a rope, and I was a little cowboy at that age.
You know in 1982, the year we came in tied for 3rd, we probably had a better team - I mean as far as talent. When we came back the following year and won it, our pitching staff was a little more experienced and it was such a thrill.
I did a little theatre work after that and the following year I got another part in a television series. Then it was almost to the end of the year before I got more work. That was coming to terms with the reality of the vocation I had chosen.
My life plan was to get into drama school and become an actor, but it took me three years. I applied while I was still at school in my final year, and I didn't get in anywhere, so I took a job in a comedy club - not doing stand-up comedy, because that's my idea of hell, but in the office - and I went traveling.
In 2004, I took a one year sabbatical to finish my second novel, A Thousand Splendid Suns. At the end of that year, I was not done with my book, and had to in effect resign from work. I did. I never went back.
The first record took us, like, a year and a half to make. The second one took 21 days, including weekends.
I love to not work. I love to go to the movies, I like to travel... I think I work maybe half the year. Sometimes, people think I've done three films in a year, but it's because I did a participation [cameo?] in a film. But I work for half a year, no more.
We never had a catalogue; we never said we were going to duplicate these pots this year and next year and the year after that and so forth. We did make many pots which were repeated, but we allowed them to change and to grow as we changed and grew, and I think that was the big difference. And that's all right; we were working for ourselves. We didn't have anybody we had to pay.
As soon as I gave birth, I had, like, 20 kilos, which I think is about 50 lbs., and I realized, 'Oh my gosh - in one month, I have my photo shoot.' So I had to lose a lot, and you know, it doesn't happen in one month. So it took me almost a year because I think, realistically, it takes about a year.
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