A Quote by Eric Clapton
My original interests and intentions in guitar playing were primarily created on quality of tone, for instance, the way the instrument could be made to echo or simulate the human voice.
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I'm glad I get singled out for my slide guitar-playing, which isn't that difficult to do. I didn't take guitar lessons, but I just love the way it sounds, almost like the human voice.
Rock guitarists usually do not wish to think trains of thought about anything but their own guitar playing during a long solo, and I could not play this way if I were not able to divide my attention between my ever changing musical environment and my instrument itself.
Switch to piano! No. Really, if you like an instrument that sings, play the saxophone. At its best it's like the human voice. Of course, it would be best if you could actually sing with your own voice. The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. Therefore, the challenge is to sing on an imperfect instrument or 'voice' that is outside of your body. I love that challenge and have for over forty-five years. As far as playing jazz, no other art form, other than conversation, can give the satisfaction of spontaneous interaction.
Weirdly enough, if I'm having trouble with a guitar part - not the playing of it but the writing - I'll mess around with echo and other effects, just turn everything up and make it as crazy as can be, and it winds up taking me somewhere. I've found so many guitar parts from echo. It's limitless.
The guitar is such an incredible instrument; it plays classical, flamenco, jazz, country, bluegrass, rock, acid, blues. You'll never see a clarinet playing Black Sabbath. But you will see a guitar in a clarinet band playing rhythm. It is the most popular instrument in the world; it is the one everybody loves.
Guitar was just a hobby, but it seemed to me that the instrument had possibilities, not least of which was that there was no one else playing it. I could be, as it were, the best boy in an all-girls school.
If you have a great-sounding guitar that's a quality instrument and a good amp, and you know how to make the guitar talk, that's the key. It starts with the guitar and knowing what it should sound and feel like.
I approach playing acoustic guitar more of as a percussive instrument. It's fragile. I don't have a lot of finesse when it comes to my guitar playing.
Many couples, many people, are not living with real human beings, but with their ghosts. Who has not followed for years the spell of a particular tone of voice, from voice to voice, as the fetishist follows a beautiful foot, scarcely seeing the woman herself? A voice, a mouth, an eye, all stemming from the original fountain of our first desire, directing it, enslaving us, until we choose to unravel the fatal web and free ourselves.
A horn has that voice quality, and an electric guitar can emulate that. But playing an acoustic, the notes don't sustain like that.
The cello is such a versatile instrument. It can rock like the hardest rock guitar, and it can sing like the human voice. We couldn't do what we do without the classical training. It's a hard instrument to play. There are no frets, and it takes finesse and technique to play.
My major influences were primarily guitar players and bands; I started playing bass by accident.
My voice is my improvisational instrument, the melody instrument. The guitar is harmonic structure. I'm not a good enough guitarist to improvise on it.
Hearing your voice and your instrument kind of breathe in the room, it affects the way you perform the songs. For instance, if you have that reverb, you can give the songs a little more space. You can play them a little slower or you can play less of the guitar part and just let it open up, which I really love. It's so nice to play a listening room, because the audience feels a certain way too.
Post-human intelligence will develop hypercomputers with the processing power to simulate living things - even entire worlds. Perhaps advanced beings could use hypercomputers to surpass the best 'special effects' in movies or computer games so vastly that they could simulate a world, fully, as complex as the one we perceive ourselves to be in.
As human beings we're visual creatures, and it's so easy to play the guitar by looking at it. It's a real challenge to go from that visual way of perceiving the guitar to getting back to that pure sound connecting to the instrument.
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