A Quote by Eric Clapton

I'd love to knock an audience cold with one note, but what do you do for the rest of the evening? — © Eric Clapton
I'd love to knock an audience cold with one note, but what do you do for the rest of the evening?
If your body is working correctly, and then you get a cold or something, that cold probably won't knock you out as hard as it would have if you weren't healthy.
It was cold. Space, the air we breathed, the yellow rocks, were deadly cold. There was something ultimate, passionless, and eternal in this cold. It came to us as a single constant note from the depths of space. We stood on the very boundary of life and death.
I'm sure partial to the evening,' Augustus said. 'The evening and the morning. If we just didn't have to have the rest of the dern day I'd be a lot happier.
I do a lot of talking, playing with the audience, but I don't really know what that's going to be. Somebody kind of feeds me cold. He gives me these kind of cold games that I play with the audience or quizzes that I do with them.
Often times I'll quickly dash off an email or text message when I leave a party. A particularly enjoyable evening, however, that warrants a thank-you note or a phone call. I always say a handwritten note is the ultimate hallmark of a classy woman. But an email is better than nothing.
No man ever got very high by pulling other people down. The intelligent merchant does not knock his competitors. The sensible worker does not knock those who work with him. Don't knock your friends. Don't knock your enemies. Don't knock yourself.
I love storytelling and I love just relating directly to an audience. That's why we do theatre, it's because we love contact with the audience. We love the fact that the audience will change us. The way the audience responds makes us change our performance.
Once you start playing a piece, there is a connection between every note. You cannot say, 'I will not concentrate on this note.' You cannot ignore things the way you do in the rest of your life.
I like to wear a "Do Not Disturb" sign around my neck so that little kids can't tell me knock-knock jokes. "Hey, how ya doin'? Knock-knock." "Read the sign, punk!"
I think my primary audience is in some sense an adult audience, because I think that will then have a knock-on effect for children.
The world is growing old;Who would not be at rest and freeWhere love is never cold?
Singing harmony is not the same as singing a part in a choral group, where you know you're going to have to hit this note and then that note. There are nuances that change every day. Maybe today you have a slight cold or voice fatigue, or you've done something and there's a slight difference in your breathing.
I stood beside a hill Smooth with new-laid snow, A single star looked out From the cold evening glow. There was not other creature That saw what I could see, I stood and watched the evening star As long as it watched me.
That was the way it was that beautiful evening of cold November rain and muddy country roads and crazy windshield wipers. That was the moment of my greatest security and confidence; it was the time when I realized that love makes one a better person, a kinder gentler one.
I love dipping into worlds at a fast and furious pace. A little glimpse allows the audience to put together the rest of that world in their brain. I love sketches that require the audience to piece together the comedic engine themselves. Give them all the information but not tell them what the scene is about so they can have that eureka moment of, "Oh my God, he's only used to the way urban students pronounce their names. That's what's going on here.".
My grandmother took me to church on Sunday all day long, every Sunday into the night. Then Monday evening was the missionary meeting. Tuesday evening was usher board meeting. Wednesday evening was prayer meeting. Thursday evening was visit the sick. Friday evening was choir practice. I mean, and at all those gatherings, we sang.
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