A Quote by Eric Clapton
From the beginning, I knew intuitively that if nothing else, music was safe, and that nobody could tell me anything about it. Music didn't need a middleman, whereas all the other things in school needed some kind of explanation.
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One thing Drake is known for is putting out good, quality music. To acknowledge me and my music was all I needed to hear from anybody. Nobody could tell me anything after that.
Now, about that mulatto teacher and me. There was no love there for each other. There was not even respect. We were enemies if anything. He hated me, and I knew it, and he knew I knew it. I didn't like him, but I needed him, needed him to tell me something that none of the others could or would.
You listen to a politician making a speech, and it is like hearing nothing. Whereas, music is unmistakably music. The thing about music is that nobody listens to it unless it's real. I don't think that you can fool anybody for too long in music. And you certainly can't fool everybody.
In the 1960s when the recording studio suddenly really took off as a tool, it was the kids from art school who knew how to use it, not the kids from music school. Music students were all stuck in the notion of music as performance, ephemeral. Whereas for art students, music as painting? They knew how to do that.
I was born first to music. But I went into acting because my father knew so much about music he intimidated me. So, I picked an art form, he knew nothing about. So I could be my own man.
Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.
With acting, I'm taking somebody else's work and interpreting it. Whereas with music, it's organic. It's completely myself. Nobody else is really involved with the beginning stages of it. Art is something that I haven't really put out to the public. There's a couple pictures on MySpace, but I haven't done a gallery opening or anything like that. Art is very personal to me. I haven't really shared it with too many people.
I'll tell you what's crazy: Nobody in my family is musically inclined, no form, fashion, anything. I always had some type of connection to music though. This was long before I ever knew that I could sing, or I ever even tried to start singing. It was something different, man, it made me feel some type of way.
I was a soul singer first and I'd write love songs. I find with soul music it's really hard to write about anything else. But I was 15 at the time when I was doing that and, to be honest, I'd never experienced love, so the words were kind of meaningless. With hip-hop music, it allowed me to talk about political and social things but also to tell stories.
Hunter High School was a real turning point for me. I found out about its existence through the music school. Nobody I knew had gone to one of these special high schools, and my teachers didn't think it was possible to get in. But Hunter sent me a practice exam, and I studied what I needed to know to pass the exam.
The purpose of me touring and writing is to create music and nothing else. Its really not about updating people on social media about things that have nothing to do about music.
For a long time, music was hope. Now it seems music isn't enough to make me happy. It used to be that's all I needed to keep going. Now I need other things to take up the other parts of my life.
I went to college for, like, a year and a half with the intention of doing some kind of art therapy or some kind of teaching of art, because I feel like art is a more free area in school than music is. I feel like music is too mathematic for me. Music school's so hard. It's math.
I was criticized by some people for my first album because they said I was taking sacred music. They knew nothing about what I was doing. That was no sacred music; that's music I wrote.
I did a lot of choral music in high school, and that was kind of my primary, stable outlet for music because I didn't feel comfortable being a soloist. It was a cool, safe space for me musically.
A lot of people ask me, 'How did you have the courage to walk up to record labels when you were 12 or 13 and jump right into the music industry?' It's because I knew I could never feel the kind of rejection that I felt in middle school. Because in the music industry, if they're gonna say no to you, at least they're gonna be polite about it.
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