By the time I was in my early-twenties and was living there on the Lower East Side, I was so surrounded by tragedy that I think that inspired me to try to reflect it in the artwork.
I think when I was in my early twenties and middle twenties I didn't even know I wasn't living up to my potential. A couple of friends told me I wasn't and told me to get my act together, and it made a huge impact on me.
My grandfather and his wife came to America at the end of the 19th century from Hungary. Everyone started out on the Lower East Side. They became embourgeoise and would move to the Upper West Side. Then, if they'd make money, they'd move to Park Avenue. Their kids would become artists and move down to the Lower East Side and the Village.
Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
In my mid-twenties, I said to myself: 'I can't perform anymore!' I didn't know what I wanted to do. I didn't perform for a while, then ended up doing a one-woman show about Gilda Radner having cancer. It was called 'Gilda Defying Gravity,' and I did it on the Lower East Side. It was great; people really came out and supported me.
The mark of a good marriage is partnership and continuing to feel inspired by your spouse. I had that with Tao. But the end is not necessarily the tragedy. Staying in a relationship that is no longer working is the tragedy. Living unhappily - that's the tragedy.
I'm a black lady from the Lower East Side of New York. Not a lot intimidates me.
I think the Lower East Side inspires me. That whole neighborhood, a lot of the people that I worked with, seeing what we've gone through in life, being given an opportunity to understand who I am; my identity, my culture, and my roots.
I certainly wasn't able to get it when I was a kid growing up on the Lower East Side; it was very hard at that time for me to balance what I really believed was the right way to live with the violence I saw all around me - I saw too much of it among the people I knew.
I love the Lower East Side.
I grew up in Harlem, but I moved to the Lower East Side when I was a teenager and it was ... I feel like when I try to describe it, it doesn't sound believable. It just sounds like you're lying. And I see it on the faces of my younger friends.
In my early twenties, I had no idea who I was. And I think that's one reason you should try different relationships. I've had good and bad ones, but I took away things from them that helped me become who I am.
My grandparents used to tell me stories about their trip to Ellis Island from Russia and life on the Lower East Side of New York.
Everybody ought to have a lower East Side in their life.
I grew up in the Lower East Side of New York.
The very first time I did standup, I went to an open mike on the Lower East Side at a place that doesn't exist anymore. And it was one of those open mikes that wasn't really just for comedy.
I love Evanescence. I think it's quite comforting to really make nostalgic early 2000s inspired music for me, personally. I think it just reminds me of being a kid again. And that was a nice time.