A Quote by Eric Drooker

Artists always live in the cracks anyway, whatever culture they're in. They're usually accustomed to not having much money, to kind of roughing it. — © Eric Drooker
Artists always live in the cracks anyway, whatever culture they're in. They're usually accustomed to not having much money, to kind of roughing it.
Roughing it builds a boy's character, but only certain kinds of roughing it.
I like the fact that they still run substantive pieces. I'm not sure I like the pieces, but it's nice that they do that. Anyway, it was always sort of ridiculous, me having anything to do with the youth culture, but now that I'm in my 50s, it's extra-double-ridiculous. They were losing interest in me, and I was losing interest in them. When I went to renegotiate my contract at Rolling Stone, I kind of halfheartedly asked if I could do half the work for half the money, and they asked if I could do two-thirds of the work for half the money. I ran that by my agent, since he can do math.
Warhol came from an ordinary family and he had a profound understanding about capitalism and material culture. He was probably one of the few Western artists - or artists from the United States - that could be considered a true product of his time and brought out that kind of spirit of the culture.
I've always been this way. My father taught this to me. Here's the thing, you have to understand; the thing about having money: Money and fame don't change you, all it does is allow you to be more of who you are anyway.
Many of us believe that 'real artists' do not experience self-doubt. In truth, artists are people who have learned to live with doubt and do the work anyway.
Anyone who grows up reading the Bible for spiritual reasons, you get accustomed to reading things that are too much for you, too profound for you... Having that belief that you should read them anyway gives you a great advantage over people who only read what they think they can understand.
In England, we're around so much American culture and TV anyway, so it's an accent that's always in our ear.
You know, the biggest indicator of where you live is your income. If you live in this suburb you make this much money, and if you live in that suburb, you make that much money, and if you don't have any money you live where you're allowed to live.
The people resemble a wild beast, which, naturally fierce and accustomed to live in the woods, has been brought up, as it were, in a prison and in servitude, and having by accident got its liberty, not being accustomed to search for its food, and not knowing where to conceal itself, easily becomes the prey of the first who seeks to incarcerate it again.
I can't stand whining. I can't stand the kind of paralysis that some people fall into because they're not happy with the choices they've made. You live in a time when there are endless choices ... Money certainly helps, and having that kind of financial privilege goes a long way, but you don't even have to have money for it. But you have to work on yourself ... Do something!
If money doesn't come with misery, then it's not at all interesting and it's not at all fair. It seems if you have all this money, and no misery, you're really in a world of unalloyed happiness, and that seems to violate some deep principle of universal justice. We tend to live in a culture now where people have unbelievable, inconceivable amounts of money without any kind of remorse.
Since I was , I've had that feeling of, 'Am I enough? Am I worthy? Am I supposed to be here?' And my culture and society is telling me that I'm actually not in a lot of ways - unless I have this amount of money, or I'm in this kind of car and I have this kind of job, or I'm famous, or whatever.
We have to be realistic about the brutal demands a money culture puts on the psyche, and there is a great cost to this in terms of creativity. Look at the state of people at 65. How many of them become creative after having to survive in the money culture?
We all exist in similar systems that mirror and reproduce the same American culture for the most part. What Oscar Wilde said about the lucky author who has a non-literary day job no longer holds, if it ever did. Artists seek validation as much as they seek money. The creation and invention of culture and canon is where most of the trouble lies.
I think the acts today get too much money. I really do. They wind up blowing it all anyway. It's silly to give children that much money.
I've always thought of wholeness and integration as necessary myths. We're gragmented beings who cement ourselves together, but there are always cracks. Living with the cracks is part of being, well, reasonably healthy.
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