A Quote by Eric Drooker
Typically your work will end up in a museum [after] you're dead. And maybe that's the function of a museum. It's an archive of your work after you're dead.
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What's that Regina Spektor song? Museums are like mausoleums. Having your work in a museum is something we as artists aspire to, but I don't think that's something we need to worry about while we're alive. Typically your work will end up in a museum after you're dead. And maybe that's the function of a museum. It's an archive of your work after you're dead. But while we're alive, I like to see it in places where it's connected to day-to-day life and making a difference.
You who are dead ... tonight you will disport yourselves for my pleasure. Food and wine will pass between your dead lips, though you will not taste it. Your dead stomachs will hold it within you, while your dead feet take the measure of a dance. Your dead mouths will speak words that will have no meaning to you, and you will embrace one another without pleasure. You will sing for me if I wish it. You will lie down again when I will it.... Let the revelry begin.
Prose is in fact the museum where the dead images of verse are preserved. In 'Notes', prose is 'a museum where all the old weapons of poetry kept.
My line of work makes you aware of the fragility of life. You can get up in the morning, eat your cornflakes, blow-dry your hair, go to work and end up dead.
I'm lucky. Usually you're dead to get your own museum, but I'm still alive to see mine.
The moment you give up your principles, and your values, you are dead, your culture is dead, your civilization is dead. Period.
One thing about an artist, it doesn't matter how much your work sells for in your life, it's going to sell for ten times more than that after you're dead, and that's what you have to protect.
The museum in D.C. is really a narrative museum - the nature of a people and how you represent that story. Whereas the Studio Museum is really a contemporary art museum that happens to be about the diaspora and a particular body of contemporary artists ignored by the mainstream. The Studio Museum has championed that and brought into the mainstream. So the museums are like brothers, but different.
The place has had a super-conflicted relationship to its mission. In 1956, it opened as the Museum of Contemporary Crafts. Then in 1986 it had a midlife crisis and changed its name to the American Craft Museum. Then in 2002 the name changed again, this time to the Museum of Arts and Design. Maybe in 2025 the place will be called the Designatorium. The big problem with a museum of craft and design is that all art has craft and design.
I've met others [people] who simply responded to me, "You're Kehinde Wiley. I know your work. I saw it at the Brooklyn Museum [Brooklyn, NY] And I'd be honored to be in your work."
This is not a museum of tragedy. It is not the museum of difficult moments. It is the museum that says -here is a balanced history of America that allows us to cry and smile.
Where most men work for degrees after their names, we work for one before our names: 'St.' It's a much more difficult degree to attain. It takes a lifetime, and you don't get your diploma until you're dead.
I wonder if we are seeing a return to the object in the science-based museum. Since any visitor can go to a film like Jurassic Park and see dinosaurs reawakened more graphically than any museum could emulate, maybe a museum should be the place to have an encounter with the bony truth. Maybe some children have overdosed on simulations on their computers at home and just want to see something solid--a fact of life.
If you maintain a dead church, contribute to a dead Bible-society, vote with a great party either for the government or against it, spread your table like base housekeepers, - under all these screens I have diffuculty to detect the precise man you are: and of course so much force is withdrawn from your proper life. But do your work and I shall know you. Do your work, and you shall reinforce yourself. A man must consider what a blind-man's bluff is this game of conformity. If I know your sect I anticipate your argument.
If you try to avoid every instance of peer pressure you will end up without any peers whatsoever, and the trick is to succumb to enough pressure that you do not drive your peers away, but not so much that you end up in a situation in which you are dead or otherwise uncomfortable. This is a difficult trick, and most people never master it, and end up dead or uncomfortable at least once during their lives.
After you finish a book, you know, you're dead. But no one knows you're dead. All they see is the irresponsibility that comes in after the terrible responsibility of writing.
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