A Quote by Eric Drooker
Most visual artists, just like most writers, tend to be solitary. While they're doing the art, that is. They may have a crazy orgy that morning, but at a certain point they kick everybody out, and say: "Come, go home. Yeah, I had a great time too." And then you're alone again, and then you're freshly inspired and energized.
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I do this thing at every party: I go to a party, I stand around for, like, 45 minutes, and then I turn to my wife and say, 'I think we should go home.' And then we leave, and then I wake up the next morning and say to my wife, 'We don't go out anymore.' It's a great trick.
I really like to have a moment alone at the house, either in the morning or when I come home from work, when I can just zone out at my computer, relax, stare out the window, get into a 'Game of Thrones' episode, go up on my roof, whatever, then go out to dinner.
Don't be too hasty," she warned. "Conserve your strength. If you're too eager to fight the undead, you may find yourselves joining them. Then you'd never see us again, and we'd be very sad." "Yes," said Christian. "I'd cry into my pillow every night." I resisted the urge to kick him. "Well, I couldn't visit if I was Strigoi, yeah, but hopefully I'd just die a normal death. Then I could come see you as a ghost.
I had a lot of bad jobs but the one big internship I had is I interned for 'SNL' when I was 21 years old and that was the joke. You intern there and you think man, I'm going to be with the writers and the great comedians. Then you're getting everybody sandwiches and then the doors close and then all the great creatives are doing the work.
I went to work at seven in the morning. Around noon time we got the watery soup. And we worked until seven or eight or nine at night, sometimes later. And then I walked back home - there was no public transportation - into that shared room. And if there was food we would prepare an evening meal depending on what was available. And then probably go to bed because it was cold most the time. And then start the day all over again, six or seven days a week.
They pick all of us out, and then they decide, they computerize, decide if they like it or don't like it, and then they go home, and then they come back again because they're not sure what they saw.
I go to the gym in the morning to warm up, and then I go to the mountain and train. Then I come home and go to the gym again to recover. But on travel days, you get pretty much no physical exertion.
She disapproved, but part of her seemed secretly to sympathize with the sickness. It was like she thought everybody had it, and the best you could do was to cover it up, and sometimes it would just come boiling out anyway. Then you had to point at it and condemn it, even though you knew you had it too.
Some artists, such as Jack Kirby, need no plot at all. I mean I'll just say to Jack, "Let's let the next villain be Dr. Doom" ... or I may not even say that. He may tell me. And then he goes home and does it. He's so good at plots, I'm sure he's a thousand times better than I. He just makes up the plots for these stories. All I do is a little editing ... I may tell him that he's gone too far in one direction or another. Of course, occasionally I'll give him a plot, but we're practically both the writers on the things.
I think the most important thing I wanted to say at various times to Franklin and Eleanor Roosevelt was that it seemed so sad to me that - I really believe they loved each other and had a great deal of affection - but because of that early hurt in their marriage, there was a certain kind of distance from then on, until their deaths actually. So at times, I just wanted to push them together and say, "Come on, you guys! I know you love each other. This is crazy!"
I had an opportunity to move to L.A. back in 1999 and start up a horse racing network of all things. At the time, I was younger and married but didn't have kids; so we thought, Let's just go to L.A. for a while and have fun, and we can always come home. One thing led to another; and once I was out there, I had my eyes opened to this other world and quickly got a home and gardens show and did a game show and then The Bachelor ended up falling into my lap in 2001. And 'the rest is history' as they say.
At one point cinema and photography weren't treated as art. Now it's crazy to think they're not. The key question is "What is art today?" The most important artists of the last 20 years are Steve Jobs and Jonathan Ive, because the influence they have had is incredible and they've changed the world. That is art.
Most artists come in and out of the country, they stay may be 2 weeks - or a month max and then they leave.
How far we all come. How far we all come away from ourselves. So far, so much between, you can never go home again. You can go home, it's good to go home, but you never really get all the way home again in your life.
...
whatever it was and however good it was, it wasn't what you once had been, and had lost, and could never have again, and once in a while, once in a long time, you remembered, and knew how far you were away, and it hit you hard enough, that little while it lasted, to break your heart.
While I was still going to embrace social media, I knew I had to do things that nobody else was doing. I decided I had to meet as many people as I could - face to face. While most artists would email galleries, I would show up in the lobby. Instead of liking an art show or exhibition, I would go there and meet everyone. And while most would send a magazine a press kit, I go and meet the editor. This notion of face to face contact became my mantra.
During the preproduction when I'm shooting and then once we wrap we go away. And then the visual effects guys take over. And then they add all those little bits and pieces. They come up with ideas during the cut in the editing, and they said while would be really cool if we did this thing here where the blade pops out. So then you see the movie and say wow that's a really neat idea. I wish we would have thought of that.
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