A Quote by Eric Fellner
The dream was to not only make a good-looking film that engaged, but also had the DNA of the show so the fans would love it and also as important had the opportunity to cross over out of the fans because of the price-point. You make a film that's 60 million dollars you can't just appeal to musical theater fans.
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Every actor is alive because of his/her fans. I'm glad that my fans love me so much. I have an immense responsibility towards them. That's why I'm careful while signing a film. What is also important is to judge whether I would like to watch the film as an audience or not.
I got a lot of fans, like core fans, that love me. I ain't one of the dudes that sell five or 10 million brackets, but my followers are stern. They're there. My fans - Jadakiss fans, LOX fans, D-Block fans - they loyal.
What would we be without the fans? They're more important than me, because they make our sport great; they make things happen. We put on the show, but if people don't react to it, we are nothing. So, the fans, basically we should roll out the red carpet for them.
I have had fans make me the big picture collages of the photo books; I have had fans send me birthday cakes... sing to me on my voicemail. I have had fans flash me. I have had older fans give me their bras and underwear onstage.
It was really important to try to reach a whole new audience so we had a lot of people in who not only had not seen the last film but were not Star Trek fans, or thought of themselves as not being Star Trek fans, or they had seen bits and pieces of Star Trek in the past and it was just not for them.
Nashville has so many music fans and fans of music are also fans of NASCAR and just the atmosphere here throughout town gives you a good feel.
When you don't act right to your family and friends, that's bad, but they also have the opportunity to experience the 'good' side as well. Disappointing the fans is an entirely different thing because the fans love your music and save up money to see you in concert.
From the writing stage, I had envisioned a film that would be bright and light, even if the movie addresses adolescent unrest and self-destructive behavior. Talking about adolescence, I wanted to make a very musical film that was also a love story with a sensorial, sensual dimension and which had a strong emotional impact.
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
I love feeding off the audience, and to me, what's the point if you're not going to think of the fans. Anyone can play music in their house, but you put it out because you want interact with your fans. And, as an artist, you get so much from your fans.
Fans in Brazil cross the line. A few times at Fluminense, the fans would go to the airport after we had played away to shout at us.
We had a great producing staff and great filmmakers, but for me, my mission , as a producer, was to make sure that the creators were happy with the film Death Note and that their voices were heard. I felt, if the creators were proud and happy with the film, then in turn, the fans would be proud and happy with the film because the creators know the fan base, inside and out.
When the show opens, fans can text to a number we flash up on the screen, and then we do a meet-and-greet with 60 to 80 people every night. It's something I love doing, and I would say that's probably more fans than most artists bring backstage after a show.
I love that there are so many 'Veronica Mars' fans. I was not a regular on the show. I was lucky enough to just come on. I loved the character. But, I never really realized the rabid fans that it had. I just didn't know.
I started out dancing on a reality TV show, but always with the intention of making my way over to film. I transitioned into the film world by doing certain things that my fans had been used to seeing me do. My dancing and singing gave me the confidence to act.
I didn't understand NASCAR until I met some NASCAR fans. You talk to a couple of NASCAR fans and you'll see where a shiny car driving in a circle would fascinate them all day. And I can make fun of NASCAR fans, because if they chase me, I just turn right.
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