A Quote by Eric Fellner

I think Cannes is usually pretty fair in choosing what will play well to the home festival crowd. — © Eric Fellner
I think Cannes is usually pretty fair in choosing what will play well to the home festival crowd.
I remember in 1968 when we were in Cannes, in the festival, and we were supposed to be there 10 days, and the second day the festival collapsed because the French, you know, film-makers raised the red flag in the festival and ended the festival.
I have a 10 year old at home, and she is always saying, 'That's not fair.' When she says that, I say, "Honey, you're cute; that's not fair. Your family is pretty well off; that's not fair. You were born in America; that's not fair. Honey, you had better pray to God that things don't start getting fair for you.
Playing big films on festivals is SO misguided. And I know where it comes from: it comes from the head of the festival thinking that he'll play with the big guys, like that's the way to do it and it's SO not the way to do it. It's where Cannes went wrong, it's where Toronto is going wrong. I mean, I got off the plane in Cannes this year and the streets were paved with posters from studio movies. Who cares about that? Why come to Cannes for that? You're going to be able to see all those films anyway - you're not going to be able to avoid them, so I don't get it. Obviously.
You go to a festival, you know you're not going to play all new material at a festival. The audience is not there for that. I've made that mistake, but you find out pretty quickly.
Cannes is a lot of work, since it's a market festival and a serious festival, and they really work you, understandably.
Arguably, the Venice Film Festival is the second best film festival in the world, after Cannes.
The Cannes Film Festival is the biggest, most prestigious film festival in the world. This is where filmmakers are discovered, where futures are made, and the most important films premiered.
When the film [Certified Copy] was in the Cannes Festival, I realized that the fact of having it shot in a different culture, in a different language, in a different setting, that wasn't mine and that I didn't belong to, gave me a totally different relationship to the film. When I was sitting in the audience during the official screening in Cannes, I didn't feel that it was my film.
Cannes is the largest festival of world cinema.
The Full Sail crowd, it's a pretty unique and a pretty distinct environment. It's very close quarters and a bit more of what I'm used to from my days on the independents. But the truth is, I sometimes think that it's harder to win over a small crowd sometimes than it is to win over a big crowd.
Sundance felt like a natural fit. I love coming here, and I do think that this festival suits my films rather than most of the festivals I've been to. I'm not going to Cannes, you know.
So, where's the Cannes Film Festival being held this year?
I'd met Sharon Tate at the Cannes Film Festival.
I've seen the Stones play for three hours, and the crowd knew every song. It's what you want in a headline slot at a festival.
I always try to be myself, be it a festival crowd or my own crowd.
I think God is a pretty fair guy, so tithing is a pretty fair process.
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