A Quote by Eric Fellner

If there's a British film in the marketplace that is successful on a worldwide basis - whether it's 'A Room with a View,' 'Four Weddings' or 'The Full Monty' - money follows, and everyone tries to emulate that success.
At the end of Season Four of 'Mr. Show,' instead of doing another season, everyone just thought they wanted to go and do a movie. Kind of like Monty Python. Monty Python went right into 'And Now For Something Completely Different,' and everyone kind of compared 'Mr. Show' to Monty Python.
The Full Monty, ah, it's superb. The Full Monty showed how life really is in certain cities of England.
I had a 'Monty Python' CD, and I would listen to it in the car on the way to school. It also refined my British accent. I can do a killer British accent because I'm just imitating 'Monty Python.'
Everyone hated the title 'The Full Monty' until they saw the film did really well and then loved the title.
Now, success is not the result of making money; making money is the result of success - and success is in direct proportion to our service. Most people have this law backwards. They believe that you're successful if you earn a lot of money. The truth is that you can only earn money after you're successful.
What eventually counts is whether your film was successful at the box-office or not, or more so if the film has made its money, and 'Race 3' did that.
People are scared to make something that doesn't look like another film that made a lot of money. It means we get 'Four Weddings And A Funeral' made again and again.
Know that there's enough room for everyone to be passionate, creative & successful. In fact, there's more than room for everyone; there is a need for everyone.
I completely work on the basis of my intuition. I don't think I premeditate a success formula. There is no formula to make a successful film.
A show can be artistically successful; a show can be financially successful; a show can be successful by the transformative experience the audience is having; a show can be successful from the point of view of what is experienced by the cast and the company on a daily basis.
The union that is the United Kingdom has been extraordinarily successful. Our British family has cooperated brilliantly, working together with shared goals and values, to make a unique four-country multinational success.
I just love the idea of ordinary people doing extraordinary things, whether it's the success of 'Cool Runnings,' which is the success of four guys from Jamaica who had never seen snow, or whether it's my success, just as a human being.
There is an interesting point about the price of success: It must always be paid in full-and in advance. Everyone wants to be successful. Everyone wants to be healthy, happy, thin, and rich. But most people are not willing to pay the price.
Anyone can apply for 'Say Yes to the Dress' - same-sex couples, themed weddings, traditional weddings, the full works.
Human beings by nature want happiness and do not want suffering. With that feeling everyone tries to achieve happiness and tries to get rid of suffering, and everyone has the basic right to do this. In this way, all here are the same, whether rich or poor, educated or uneducated, Easterner or Westerner, believer or non-believer, and within believers whether Buddhist, Christian, Jewish, Muslim, and so on. Basically, from the viewpoint of real human value we are all the same.
When I became the chair of the British Film Institute, I didn't understand how much of my time would be taken up with trying to make a case for the British Film Institute: what it's for, why it exists, why it needs its money.
This site uses cookies to ensure you get the best experience. More info...
Got it!