A Quote by Eric Fellner

Making movies is like herding cats. — © Eric Fellner
Making movies is like herding cats.
The biggest was me running Lionhead at its peak. That was about 305 people. I'd say that was, for me as a creative, one of the most hellish times of my life. Normally running a team is like herding cats. This was like herding the entire African plains.
Getting Democrats organized is like herding cats.
Managing senior programmers is like herding cats.
Organizing atheists is a bit like herding cats; They are on the whole too intelligent and independent minded to lend themselves to being herded.
It's going to be like herding stray cats, and the political leaders who can do it will be remembered as the same kind of geniuses who pulled off the American Revolution.
Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.
Indeed, organizing atheists has been compared to herding cats, because they tend to think independently and will not conform to authority. But a good first step would be to build up a critical mass of those willing to 'come out,' thereby encouraging others to do so. Even if they can't be herded, cats in sufficient numbers can make a lot of noise and they cannot be ignored.
It seems crazy moving from making little movies to making like literally movies with Marvel, which are like the biggest movies that they make.
Indeed, organizing atheists has been compared to herding cats, because they tend to think independently and will not conform to authority.
I've been making movies for a long time. The Japanese way of making movies has become second nature to me. To get away from that, I really try to surround myself with younger staff and approach making movies not like a veteran of the industry but always as a beginner and a rookie.
Computer programmers tend, by and large, to be quirky and highly individualistic. Trying to organize or manage such awkward characters is normally as thankless as herding cats
Even in the best times, managing science has been compared to herding cats; it is not done well, but one is surprised to find it done at all.
Work - other people's work - is an intolerable idea to a cat. Can you picture cats herding sheep or agreeing to pull a cart? They will not inconvenience themselves to the slightest degree.
It feels like there are two very different parts to making movies. There's the making of it and then there's the putting out of it - and I like the making of the movies a lot more than putting it out into the world.
The tradition I was born into was essentially nomadic, a herdsmen tradition, following animals across the earth. The bookshops are a form of ranching; instead of herding cattle, I herd books. Writing is a form of herding, too; I herd words into little paragraph-like clusters.
It’s funny, I started by making fake American movies, The Transporter and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
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