A Quote by Eric Fischl
I think people who make objects like the distance; they're not there when the other person is taking it in.
Related Quotes
When you look at pornography, the women become objects, whereas what I'm trying to do is make the person in the photograph as important as their body. And obviously, I like tits and arse, because I just do. I like the sex of taking photographs.
I think transitions are never that noticeable, but they are always on their way. It has to do with distance and accessibility. People call it mellowing, but I think it's how available you are toward other people, or how much you distance yourself.
You know we're constantly taking. We don't make most of the food we eat, we don't grow it, anyway. We wear clothes other people make, we speak a language other people developed, we use a mathematics other people evolved and spent their lives building. I mean we're constantly taking things. It's a wonderful ecstatic feeling to create something and put it into the pool of human experience and knowledge.
I want to make people think, and I don't want to come across like I am egotistical or that I want to change people's thoughts. I don't believe that as a comic I can convert anyone's opinion. I think I can maybe make someone look in one direction or the other but I can't make a religious person stop believing in God.
I don't believe you can make an honest film about another person in all their complexities from a place of distance. You can make a journalistic report, you can judge someone from a distance, but you can't really get to know them.
I think living with the absence of someone we love is like living in front of a mountain from which a person - a speck in the distance, on some distance ridge - is perpetually waving.
People look at stuff like 'Godzilla' and 'Avengers' and think I only do blockbusters, or however you wanna put it, but in reality, I can make double or triple what I got paid for 'Avengers' by doing other stuff - there are other options, but I don't want to work with this person or that person, and so I don't do it.
A lot of gaming and a lot of interaction is no longer physical; it's all digital and at a distance. There's this innate, tribal need of the people to have face time with other people and play together in person. I think there's been this rediscovery of the joy of playing with people around the table.
As a species of animal that evolved to make connections and work together, it feels strange to suppress our desire for contact. People enjoy touching each other, and find joy in seeing each other in person - but now we have to keep our physical distance.
When you are young, you think it's going to be solved by love. But it never is. Being close -- as close as you can get -- to another person only makes clear that impassable distance between you.' If being in love only made people more lonely, why would everyone want it so much?' Because of the illusion. You fall in love, it's intoxicating, and for a little while you feel like you've actually become one with the other person. Merged souls and so on. You think you'll never be lonely again.
'The Distance' is the most visceral for me because I was in a long-distance relationship for two years, and that wears on you for sure, whether you're in the industry or not, traveling and trying to get to that other person.
I've found that all weak people share a basic obsession - they fixate on the idea of satisfaction. Anywhere you go men and women are like crows drawn by shiny objects. For some folks, the shiny objects are other people, and you'd be better off developing a drug habit.
My pictures are devoid of objects; like objects, they are themselves objects. This means that they are devoid of content, significance or meaning, like objects or trees, animals, people or days, all of which are there without a reason, without a function and without a purpose. This is the quality that counts. Even so, there are good and bad pictures.
I do feel there is a certain amount of distance and apathy that's created when you feel like there's a distance between you and the other people. So it's very easy to... when you have an app that sets it up where you very clearly swipe somebody's face off of your screen because you don't like the way they look, you're asking people to not appeal to their best selves. You're asking people to be brutal.
I don't feel like a wealthy person. Other people think of me as a wealthy person, but I don't. I feel the same as when I was a fifth-year associate trying to make partner at Lehman Brothers. I haven't changed.
When I make a song, I actually literally talk to one person on purpose... I don't focus on, are people in Chicago gonna like this? Are people in Atlanta gonna like this? I think of one person who's a Too Short authority, who thinks I can't do any wrong, because I've customized all these songs for this one person.
Related Authors
Ai Weiwei Quotes
Chinese
Artist
Andy Warhol Quotes
American
Artist
Claude Monet Quotes
French
Artist
David Hockney Quotes
English
Artist
Gerhard Richter Quotes
German
Artist
Henri Matisse Quotes
French
Artist
Kehinde Wiley Quotes
American
Artist
Leonardo da Vinci Quotes
Italian
Artist
Marcel Duchamp Quotes
French
Artist
Marina Abramovic Quotes
Serbian
Artist
Maurice Sendak Quotes
American
Artist
Michelangelo Quotes
Italian
Artist
Paul Cezanne Quotes
French
Artist
Robert Genn Quotes
Canadian
Artist
Robert Henri Quotes
American
Artist
Yoko Ono Quotes
American
Artist