A Quote by Eric Gagne

You have to be out there and have a mound presence. You have to be real aggressive and be real confident. You have to put the hitters on defense. — © Eric Gagne
You have to be out there and have a mound presence. You have to be real aggressive and be real confident. You have to put the hitters on defense.
I'm me on the mound. I like to show my emotion, be real aggressive and give everything I've got for one half inning. I don't have to act. What you see on the mound is what I am in real life.
I can be overly confident at times, but with someone who I'm very close to, like with my mother, I will break down. In real life, people will find out that I'm not actually that confident and that I'm a real guy underneath it all.
It is called the real presence, not in an exclusive sense, as though other forms of presence were not real, but by reason of its excellence. It is the substantial presence by which Christ is made present without doubt, whole and entire, God and man.
I didn't know Chicago was so aggressive. It's real aggressive out here. Everybody kind of recognizes you out here. But it's a good feeling.
Hitters never showed me up, as hard as I threw. And I was pretty mean out on the mound.
You want to be as dominant as possible and you want to put some doubt in the hitters' heads. That's what I'm trying to do every single time I'm on the mound.
Before the money or anything, number one, it was just to put out real music, real stuff with a passion, real art.
Play is always a fantasy, but once you get into the frame, it is quite real, and everything you do is real. You put acres and acres of real movement and real action and real belief in it.
Shout out to J. Cole. We come from the same type of struggles. He put the real in his music, I put the real in mine.
Do I think he's got character? Yeah. You don't play defense like that without deeply caring about teammates... John Wall plays real defense. He's got real character.
If you put a real leaf and a silk leaf side by side, you'll see something of the difference between Homer's poetry and anyone else's. There seem to be real leaves still alive in the 'Iliad,' real animals, real people, real light attending everything.
If you put a real leaf and a silk leaf side by side, youll see something of the difference between Homers poetry and anyone elses. There seem to be real leaves still alive in the Iliad, real animals, real people, real light attending everything.
It's great to listen to men talk about sports or fights or war or even hunting sometimes, but the presence of the other, the presence of art and beauty, which crude masculinity seems to discount, is essential. Real civilization and real manhood seem to me to include those.
Very few people in the world would care to listen to the real defense of their own characters. The real defense, the defense which belongs to the Day of Judgment, would make such damaging admissions, would clear away so many artificial virtues, would tell such tragedies of weakness and failure, that a man would sooner be misunderstood and censured by the world than exposed to that awful and merciless eulogy.
When you stay in your room and rage or sneer or shrug your shoulders, as I did for many years, the world and its problems are impossibly daunting. But when you go out and put yourself in real relation to real people, or even just real animals, there’s a very real danger that you might end up loving some of them. And who knows what might happen to you then?
With a runner at second base with nobody out, you're trying to punch somebody out. You understand when there are guys in scoring position; hitters like to be aggressive early.
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