A Quote by Eric Garcetti

Los Angeles is the strongest defender of immigrants perhaps of any city in this country. — © Eric Garcetti
Los Angeles is the strongest defender of immigrants perhaps of any city in this country.
Chicago is seriously my favorite city in the country. People have roots here, which is nice. When you go to Los Angeles, no one is actually from Los Angeles.
Los Angeles is a rich city; California is a rich state; the United States is a rich country. The money is out there, and Los Angeles teachers are demanding that it be spent where it belongs, on our kids.
A range of studies shows there is no evidence immigrants commit more crime than native-born Americans. In fact, first generation immigrants are predisposed to lower crime rates than native-born Americans. The two cities in this country most impacted by undocumented immigrants, you would think of the New York City with over 500,000 and Los Angeles, with a similar amount. Both those cities are among the safest in the free world.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
I keep trying to tell people that Los Angeles is already the largest Indian city in the U.S., that there are Toltecs playing Little League baseball in Pasadena, Mayans making beds at the Marriott in Westwood, and Chichimecs driving buses in L.A. Los Angeles is a majority-Indian city.
My commitment is to Los Angeles, so whatever helps this continue to be a great city, that's what I would be focused to do, and the Dodgers are certainly iconic to Los Angeles.
This is one of the last unique things to do in the business of sports, to return the National Football League to the city of Los Angeles. I happen to love the city of Los Angeles; I happen to love the NFL - and to somehow be a part of that, a helper in that process, is something I've always been interested in.
New York and Los Angeles are really one city, and the rest of the country is America.
There is a dysfunctional strangeness to Los Angeles that doesn't exist in any other western city. The roads are crumbling, no-one knows what they're doing, the city government barely works.
I think Los Angeles is often portrayed as kind of a petri dish, where bad decisions start and then spread to the rest of the world. I don't see it that way. I feel Los Angeles is a place of almost primal struggle and survival. It's not a city that embraces its inhabitants.
In 1983, I was working at an art gallery in Los Angeles and going to film school at Los Angeles City College. At that time, Jean-Michel Basquiat was a young painter and was visiting L.A. for his first show at the Larry Gagosian Gallery.
I've become convinced that Los Angeles is going to become the next contemporary art capital - no other city has more contemporary gallery space than Los Angeles. We've come into our own, finally.
We've got the prettiest girls in the world here in Los Angeles and there's a great music scene. And I learned what I learned about cinema here in Los Angeles so it's always been really important to me as a city to live in and I love making movies about it.
When 'Real People' aired in 1979, we did OK in Los Angeles and New York. What kept that show from being canceled were the ratings from the middle of the country, and that's what kept us in the top five. I learned then from co-hosting that it was important to focus on the country between Los Angeles and New York.
Inglewood is a microcosm of Los Angeles. It's a city by the airport. It's the first city when you're coming into L.A., and the last city when you leave.
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