A Quote by Eric Hoffer

What monstrosities would walk the streets were some people's faces as unfinished as their minds. — © Eric Hoffer
What monstrosities would walk the streets were some people's faces as unfinished as their minds.
You could walk the streets, no matter how hungry people were, not matter how long they'd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
You could walk the streets, no matter how hungry people were, not matter how long theyd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
I have always loved to sit in ferry and railroad stations and watch the people, to walk on crowded streets, just walk along among the people, and see their faces, to be among people on street cars and trains and boats.
Once you become somebody, that don't mean you distance yourself from people. There is no such thing as no one can walk the streets or go outside. That I will never believe. There might be some fanfare. There might be some paparazzi, but you can control that. All you have to do is maintain the person you were before that when you would tell someone to back up or get out of my way or just stop and address people. Give them what they want. Have a smile, kick a few lyrics, and be out.
The streets and the industry are two different things. You could be one super-hot artist in the streets, and you could walk into a corporate building, and people would be like, "Who are you?"
If at this moment you simply made up your minds that you were handsome, beautiful, strong, dangerous, powerful, that you knew everything there was to know, you were totally capable in any job that you undertook or any sport you undertook-if you really believed that, and you can believe it, some of your faces would change physically before my eyes.
I’m constantly embarrassed. I fidget and twist my hair and pull weird faces and stutter. Some days I feel quite confident, then others there’s a microscopic flaw about myself physically, which will make me embarrassed to walk the streets.
I do not think he [Reagan] put names and faces together but for a small group of people. There were a few, perhaps half a dozen reporters, that Reagan recognized, including my colleague Lou Cannon, and some from television and the wire services. The rest of us were faces.
My mom and dad are from the streets. My mom's from Chicago. My dad's from Memphis. My dad got out of school and got with my mom. They were hustlers. They were from the streets. They were doing their thing. The streets ain't got no love for the streets. You can light up the streets, or be a victim of the streets.
I would walk around in all these cities we lived in because my dad would move around so much. I would just walk the streets with a ball in my hand, and my mom holding my other handing waiting to find a hoop to play in. That was my first love of basketball.
If one's memories of Baghdad women were only of those to be seen in the streets, they would be of leathery, wrinkled faces, prematurely old, figures which have lost all shape, and henna-stained hands crinkled and deformed by toil.
Houses were knocked down; streets broken through and stopped; deep pits and trenches dug in the ground; enormous heaps of earth and clay thrown up; buildings that were undermined and shaking, propped by great beams of wood. In short, the yet unfinished and unopened Railroad was in progress.
We recently had a referendum in New York about extending the forest preserve. The city voted for it by a large majority; yet as I walk the streets I do not see afforestation written with conviction on the harried faces of my fellow citizens.
I wanted individuals who were clearly themselves and I just got to put some clothes on them, but they basically came "done," you know? How they feel comfortable. I just wanted them to walk down the streets of New York and I said, "You know what? Don't even pose, just walk and we'll take pictures."
I walk these streets, a loaded six string on my back I play for keeps, 'cause I might not make it back; I been everywhere, and I'm standing tall I've seen a million faces an I've rocked them all.
My interest really is psychology, what's going on in people's minds as revealed on their faces and in their posture. That is my strength. And it's something that came from probably being a silent observer for most of my life and having to read what was going on in people's minds from only their postures or from their expressions.
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