A Quote by Eric Hoffer

It is the stretched soul that makes music, and souls are stretched by the pull of opposites-opposite bents, tastes, yearnings, loyalties. Where there is no polarity-where energies flow smoothly in one direction-there will be much doing but no music.
It is the pull of opposite poles that stretches souls. And only stretched souls make music.
God, as a loving Father, will stretch our souls at times. The soul is like a violin string: it makes music only when it is stretched. . . . God will tutor us by trying us because He loves us, not because of indifference!
The soul is like a violin string: it makes music only when it is stretched.
People think of time as a continuum composed of points which is stretched out at a line, and even if you add a direction to it and say one direction on the line is past and the other direction is future, or better, one direction is "earlier than" and the other direction is "later than", you're still thinking of it as like a geometrical line which is stretched out rather than as a dynamic process of becoming.
Classical ballet is very extreme. You're doing it six days a week, and it's a kind of obsession of perfecting a move. So every muscle in your body has been stretched and tightened, stretched and tightened.
Music is liquid. It's meant to be messed with and played with and stretched and pulled and pushed, I think.
It's like soul music, isn't it all soul music? Otherwise what is it, non-soul music? I-have-no-soul music? Soulless music? People need to put a name on something to identify it, and I understand it.
I really think of my motives, my melodies, my harmonies, as being these things that are very much alive. They have these little lives of their own that are stretched and pulled, and I do conceive of my music in a very narrative way.
I would say that I'm a really eclectic music lover, so I love the fact that one month I will be doing one kind of music and the next month I will be doing something very different and I think that really works for me in terms of my own personal tastes and styles.
Soul music is soul music. It can be wrapped up in a neo soul package; it can be called hip-hop soul. But soul is soul, and it's been around; it will never go away.
This war has already stretched the generation gap so wide that it threatens to pull the country apart.
Some of the best trades come when everyone gets very panicky. The crowd can often act very stupidly in the markets. You can picture price fluctuations around an equilibrium level as a rubber band being stretched -- if it gets pulled too far, eventually it will snap back. As a short-term trader, I try to wait until the rubber band is stretched to its extreme point.
It's gotta be fun, if it's not fun it's not worth doing. Music is about having a good time feeling your soul, whether it makes you laugh or it makes you cry, just so long as you feel as much as you can. That's the mission of Pono.
What I remember best from those times is the music itself. When it succeded, we took hold of the audience's attention, working it from a distracted, unshaped mass into spun beauty, passing the fine strands back and forth until we wove together something grander, not only music but memory, too-the particulars of past and present, stretched taut across a loom of timeless ideals. Harmony. Symmetry. Order.
For although nepenthe has calmed me, I know always that I am an outsider; a stranger in this century and among those who are still men. This I have known ever since I stretched out my fingers to the abomination within that great gilded frame; stretched out my fingers and touched a cold and unyielding surface of polished glass.
I love music, I make films with music, I eat with music, I sleep with music, I think with music. Music makes me dream, it strengthens my creativity.
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