A Quote by Eric Hutchinson
When I was first starting out, I drove myself around the country in my Honda Civic, playing anywhere that would have me. This is a chance to strip the songs down to their roots and let the audience hear them the way I write them.
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When we started out in the U.K., there were songs that we made, we put them on the Internet, and we immediately started touring the U.K. We borrowed our friend's mum's car, and drove ourselves around for, like, a year playing gigs in pubs and tiny little venues. In that respect, we're pretty grass roots as a band. We've done all that together.
I write songs for myself, songs come out of me, I get enjoyment out of it. Basically, that's it - I get enjoyment out of my songs, I know they're good songs, and know that the people around me who I respect are all getting up on these tunes, and the feedback is really good, so that's it. There are people who will receive them, and don't receive them. Not in a spiritual sense, but in a commercial sense - do these songs treat people, and so far they're working.
Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
Main thing, really, is I write songs the way I wanna hear them and the way I think the people that come to our shows wanna hear them.
I take it for granted, when I am invited to lecture anywhere,--for I have had a little experience in that business,--that there isa desire to hear what I think on some subject, though I may be the greatest fool in the country,--and not that I should say pleasant things merely, or such as an audience will assent to; and I resolve, accordingly, that I will give them a strong dose of myself. They have sent for me, and engaged to pay for me, and I am determined that they shall have me, though I bore them beyond all precedent.
When you hear kids singing your songs it just validates them, they sound like real songs when you hear them back, it's quite refreshing. Like songs that could have been around for a hundred years.
I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now.
I try not to "perform." I try to come on stage and be myself, to sing the way I would in a room by myself, to interact with the audience the way I would relate to them if we were in my kitchen drinking tea and making up silly songs. Maybe the way to get past the fear of being ourselves is simply to try it more often.
I think when we were starting out, it was more about imitating our songwriting heroes. We would try to write songs like Neil Finn, or we would try to write songs like Ray Davies, or we would try to write songs like Glenn Tilbrook.
My first car was kind of sad. My first car was when my parents had completely worn out their Toyota Corolla that they had for 16 years or something. They gave me, for my 19th birthday, this really ancient Toyota. So that was my first car. And I loved it. I thought it was amazing, and I drove it cross-country. It was not aesthetically appealing in any way. It was it fast. It did not handle well, but it lasted forever. I drove cross-country and back, and then I gave it to my sister, and she drove it for another 10 years.
As a reporter, going around, you hear stories you can't prove, which means you can't put them in the newspaper. But they're good stories, and I would jot them down thinking maybe one day I could write that as a short story.
When I hear of nationalism in my country today from the youngsters, I want to sit them down and tell them that flags and songs are not nationalism. Stopping at the traffic signal, opening the door for a lady, doing something for your country is nationalism.
I remember hanging out at Starbucks. There were these older guys who would sit around and play Crosby, Stills & Nash songs. I was just so in love with music. I would just go hang out with them, and I would try to sing and harmonize with them. I didn't even know the songs.
It never really interested me in the past but, for the first time, I wanted to make a pop record. I thought a good way of doing it would be to make songs that didn't really make sense to me as songs; songs that I couldn't just sit down and play in front of someone and then get them to play over it.
Ironically, when I was playing in my first band, I would deliberately not write down any lyrics. I have a really good memory and I would just keep them in my head.
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