A Quote by Eric Idle
Well we were lucky because we started in Canada where everybody has a sense of humour! We flirted a little while with Josh Groban. He was personally interested in it. He said oh I'd love to do something different, and I said well it's pretty different! But in the end the dates didn't work out.
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I remember, when I was 6 years old, we were having an event at school where different dolls were on display. I said that the tallest doll needed to be on the end, and my little friend said to me, 'Oh, you're just so bossy.' I remember thinking that wasn't a good thing. But I kept insisting the doll had to be on the end anyway.
Part of why daycare is so poorly paid is because the sense that they're prisoners of love, that daycare workers love their work so much that they don't need to be paid fairly. It's this sense of, 'Oh well, labor and love are two different things.'
One of the funny things about the racism of the system, when I started 30 years ago, I'm in an area called Koreatown and most of the kids were Asian. And when the kids did well, people said, "Well, of course, they did well. They're Asians." But when we had this huge influx of Latino children from Central America, they said, "Oh, you're gonna have problems now."
I have said that each aspect of the novel demands a different quality of the reader. Well, the prophetic aspect demands two qualities: humility and the suspension of the sense of humour.
I was actually filming in Atlanta when I got a call from Walter Hill saying, "Well, it could be your turn to play Hickok." I said, "Oh, well, great!" He said, "What's your hair look like?" I said, "Well, it's short, Walter, but... I've still got that wig!" . He said, "Well, bring it!"
I was over at Alison's [McGhee], I think we were playing Scrabble. I remember we were both complaining - yeah, we sound like whiners - about how hard writing is, and how we didn't have a story to work on. Alison said, 'Why don't we work on writing something together,' and I said, 'Eh, I don't know if I could work that way.' She said, 'Well, just show up here and we'll see,' and I said, 'Well, what would it be about?' She said, 'Duh, it'd be about a tall girl and a short girl.' So I agreed to come and try it for a day.
He said you were on the scene when that Laurel Canyon homicide went down.” “I’m lucky that way,” I said. “So are you two square again?” I halted, mid-ripping open the cookies, and stared at him. “Well, he’s pretty square,” I said. “I’m just a rectangular guy.” With latent triangular tendencies.
I got in a fight one time with a really big guy, and he said, 'I'm going to mop the floor with your face.' I said, 'You'll be sorry.' He said, 'Oh, yeah? Why?' I said, 'Well, you won't be able to get into the corners very well.'
Jock Semple said "Oh the women ran well today the Boston Marathon and they deserve to be in the race." I had to laugh. I said "Well it took us five years but anyway, we're here." It pretty much changed everything.
When recording, whatever you first think about, you come out with something totally different at the end of it. Whatever plans you have you throw away, because it's always going to end up sounding pretty different from what you initially thought of. I probably only had about five or six songs when I started, and it just sort of flowed from that.
Oh," she said, in a very different way. "Well. Thanks for my part in the compliment. Naturally I'd love to be watched and controlled, but I think I may be washing my hair that day.
I never said Arsenal fans were not good. I just said I saw real passion when I signed here, and I said Arsenal was a little bit different. That is the only thing I said.
Well, there's a great Marlon Brando quote that to do something well you have to spiritually marry your director. You have to be making the same movie they are in that you have to try to help their imagination be better, and more full, and more fully realized, but you can't have a different imagination because then you end up - and you see this a lot in movies - where it feels like they were making five different films.
Querida, it's alright," he said. "No one has hurt me in years." "Hey, you're supposed to be my brother," I said, trying to joke. "Brother's don't hold their sisters' hands or call them querida." Seb smiled, his hazel eyes starting to dance. "Yes, they do," he said. "This happens all the time." "Well I guess things are different in Mexico then," I said. "Because in America, no way. And I'm an American." "But you're in Mexico now," he pointed out. "Right. And you're saying here, boys holds hands with their sisters and call them sweetheart." "Oh yes. We're very friendly, we Mexicans.
We won't do something different for different's sake. Designers cave in to marketing, to the corporate agenda, which is sort of, 'Oh, it looks like the last one; can't we make it look different?' Well no, there's no reason to.
It was Harry Patch, who was the last living World War I veteran; and by veteran I mean someone who actually fought in the war, he didn't just happen to be in the army at that time, in the Great War. And when the Iraq War started, he was interviewed, and they said, well what do you think of this? And he said, in a very sad voice, "Well, that's why my mates died. We thought we were going to end all that sort of thing."
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