A Quote by Eric Idle
I got locked into a tradition [at Cambridge] of doing comedy.
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Monty Python crowd; half of them came from Cambridge, and half of them came from Oxford. But, there seems to be this jewel, this sort of two headed tradition of doing comedy, of doing sketches, and that kind of thing.
I had hoped that the board would accept Johnny Hon's offer of a loan to buy the stadium back for the club, as I think this would be best way of continuing the long tradition of Cambridge United in Cambridge - and it was a generous offer.
I never consciously got into comedy. It was sort of one of those things where I was a theater student, I was acting, I was doing comedy, I was doing dramatic stuff, so it's been something that I've always done and enjoyed doing and had an instinct to be relatively good at.
I know all we're doing is travelling without moving. Speed freak faster than a speedin' bullet, slow down. If I don't, I might just lose it, locked up. You've got me honey, locked up under heavy brakin', yeah. You know I've got to hang on, drive too fast, I might be last.
I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.
I've been doing comedy longer than I haven't been doing comedy, as I was performing for three years before I even got on 'The Tonight Show.' There's truly nothing like it; it's intense and exhilarating, even though it looks so casual.
The Times Square Incident wasn't a terrorist attack, it was a Jim Carrey movie. The terrorist locked the keys to the safe house he was going to escape to in the carbomb. And I love that he locked the carbomb. Nobody's getting my Ipod. Then he left the keys to carbomb hanging out of the tailgate of the carbomb, and built the carbomb out of fertilizer that wouldn't explode. I have been doing comedy for 25 years and I have never been that funny.
My experience came before most of you were born. My school was a state school in Leeds and the headmaster usually sent students to Leeds University but he didn't normally send them to Oxford or Cambridge. But the headmaster happened to have been to Cambridge and decided to try and push some of us towards Oxford and Cambridge. So, half a dozen of us tried - not all of us in history - and we all eventually got in. So, to that extent, it [The History Boys] comes out of my own experience.
I'm locked in no matter what I'm doing. If it's a competition, I'm locked in.
When you talk about change, you know what makes it really tough for people is on the one hand you've got tradition, and on the other hand you've got change; in many people's mind, change equals modernization. Tradition, however. I'm a big tradition guy.
It [Cambridge] wasn't a holy grail in the sense that I'd never been to Cambridge. But then, when I did go, the contrast between Leeds, which was very black and sooty in those days, and Cambridge, which seemed like something out of a fairystory, in the grip of a hard frost, was just wonderful.
Comedy is the result of what's happening, not what people are doing. Because if people are doing comedy. It's embarrassing. The individual elements have to be straight-faced, serious, realistic with a firm basis. What makes it comedy is a somewhat shifted way to put it together.
In 1922, I got a small stipend from the Swedish-American Foundation and went to Cambridge, England, for a few months and thereafter to Harvard University. In the summer, Cambridge was rather empty, but I am grateful for many pleasant talks about economics with Austin Robinson who, in the summer of 1922, seemed to be about as lonely as I was.
I like doing comedy, I like doing drama. Naturally I like to do, I like doing dramas, I like conflict, and when I do a comedy, you know, I've found that, like, romantic comedy is the trickiest one, because often it's neither: it's not romantic and it's not funny. So, like, I like a comedy that's biting. It's biting humor or really quirky humor.
The trouble with a series as it gets older is it can feel like a tradition, and tradition is the enemy of suspense, and it's the enemy of comedy. It's the enemy of everything, really. So you have to shake it up.
Comedy has got me all these opportunities and I enjoy doing a variety of things. I can't really believe I've got the chance to have my own radio show.
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