A Quote by Eric Idle

My first professional job was appearing in a disastrous theatre production of Oh, What a Lovely War in Leicester Rep, shortly after leaving Cambridge. — © Eric Idle
My first professional job was appearing in a disastrous theatre production of Oh, What a Lovely War in Leicester Rep, shortly after leaving Cambridge.
My first professional set was 2014, and it was for a show called 'Bob Servant' for BBC Scotland. I was working in theater for Dundee Rep Theatre doing 'Hecuba,' and I also got this other job, 'Bob Servant.' It was only three days filming.
I don't think a professional agent or theatre manager would say my career had gone as well as perhaps it should have after that first 'Oliver!' success, but then again I was never really intending to have a career in the professional theatre in the first place.
Everyone's second team in Italy is Leicester. In Thailand, the first team is Leicester. I've received letters from Paraguay, Uruguay, Brazil - everywhere 'Leicester, Leicester, what a legend.'
My first professional job was with Berkeley Repertory Theatre. I started out in an educational touring play and eventually starred on their stages. That was the theatre that nurtured me to expand as an artist.
I started taking piano lessons when I was 8 and I wrote my first song shortly after. Music was really important in my family. My grandma was a professional violin player and my parents first met when my dad was giving my mom guitar lessons.
I carried on acting during school holidays and was all set to go to drama school when I was offered my first professional job appearing in 'King David' with Richard Gere.
Every rep I did on chin-ups, on squats with 500 pounds, I never said, to myself, 'Oh, my God, another rep.' I said, 'Yes, another rep, because that will make my dream turn into a reality.'
I did not enjoy Cambridge. But I shouldn't blame Cambridge alone. I wasn't ready for university or for the wrench of leaving home. It was a big cultural shock.
After a couple of years at Vertigo, I realized that if I was going to be a professional artist, I'd have to devote myself to it full time, so I ended up leaving my job there and went freelance.
I saw Waiting for Godot when I was 17 in rep with a then unknown actor called Peter O'Toole playing Vladimir. I remember leaving the theatre promising myself that one day I would have a go at this play and then pretty much forgot it for 50 years.
The first job I got was a production of 'Fame - the Musical,' at the North Shore Music Theatre in Beverly, Massachusetts, and it got me my Equity card, too. I waited 12 hours to be seen for it, though!
My first husband is a lovely, lovely man, but he always viewed my job as a hobby, and there came a time where I resented that.
My first production job after M.I.A. was actually the xx, but they didn't like what I did, and at the end of the day, we used their demos.
My first professional acting job was in 'Hair' during the Vietnam War. So I think I've always been drawn to projects with a social conscience.
I want the marginality to come into the center. This is the thing I was conscious of growing up, when I later lived in England. I saw all these war movies that came out shortly after the war, and they were all about the war being fought by Englishmen or Americans, there were no other "allies" in it - from India or Australia, etc.
'Doctor Who' was my first telly job, and before that I did a lot of theatre in education, children's theatre.
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