A Quote by Eric Idle
Monty Python only became valuable when it was sold to Public Broadcasting Service (PBS) in America. They didn't pay much either, but the series has been shown repeatedly, which led to lucrative tapes, CDs and DVDs.
Related Quotes
'Monty Python' became my religion when I was 10. It led me out of the depths of darkness. I loved 'The Goodies,' too, and 'The Two Ronnies.' I watched those shows on the public television station in Chicago.
Missing out on 'Monty Python' was a real blow at the time. I sometimes wonder how things would have been different if I had been invited to join 'Monty Python,' but as the saying goes, one door closes, another opens.
I like musicals that are sometimes comedic, but I haven't even seen the Monty Python musical, and I'm a huge Monty Python fan.
At the end of Season Four of 'Mr. Show,' instead of doing another season, everyone just thought they wanted to go and do a movie. Kind of like Monty Python. Monty Python went right into 'And Now For Something Completely Different,' and everyone kind of compared 'Mr. Show' to Monty Python.
I love the humor of 'Monty Python.' I always remember being so impressed by how violent 'Monty Python' are, actually, when you look at what they do. Terry Gilliam has a great way of kind of proposing violence.
Many businessmen fail to understand Python principles--the ultimate absurdity was an offer from America to buy the 'format' of the Python shows, that is, Monty Python without the Pythons--corporate methods do not have the conceptual framework to deal with an anarchist collective, run by intelligent and arrogant comedians who have proved that their method works.
I had a 'Monty Python' CD, and I would listen to it in the car on the way to school. It also refined my British accent. I can do a killer British accent because I'm just imitating 'Monty Python.'
Monty Python: A documentary series on everyday life in Great Britain.
'Monty Python' is now more recognised by the films than by the TV series.
What's happened to broadcasting is that broadcasting really used to be... it used to have a very clear public service quotient. And it's more or less now. And it's been lost.
I started as a child, in this PBS series 'Voyage of the Mimi,' which led to driving down to New York for 'Afterschool Special' auditions, which led to moving to Los Angeles. I wanted to be an actor. But in L.A., I got into film technology, and I was building cheap editing systems and would edit my friend's acting reels.
I've watched the dynamics of music completely change to where we've sold tapes, we've sold CDs, then everything started becoming 'music is free' now. In a perfect world, Napster wouldn't have come along. But the world isn't perfect, and when it changes, you have to adapt.
The idea of public service was instilled in me by watching my father, who shared that he was far more fulfilled in his public service than by his former lucrative corporate jobs.
This is the first time in my 32 years in public broadcasting that PBS has ordered up programs for ideological instead of journalistic reasons.
There's no gap between the writer and the performer, which is what I think makes [Monty] Python unique. Five or six people who write Python and five or six who act it. That's what makes it unique.
I love crazy names. It comes right from Monty Python and Woody Allen - nothing in the world makes me giggle more than a funny name. It became a thing I started doing when I wrote. If a person came into a store and said, "How much is this apple?" that person would have an insane name.
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