A Quote by Eric Idle
One of the reasons we moved to L.A. in the first place [was] so that it was no big deal that I was in show business. We decided if we move[d] to L.A., then everyone in one way or another was involved in it.
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At first, almost everyone who got involved did so for philosophical reasons. We saw bitcoin as a great idea, as a way to separate money from the state.
When I started out in business, I spent a great deal of time researching every detail that might be pertinent to the deal I was interested in making. I still do the same today. People often comment on how quickly I operate, but the reason I can move quickly is that I've done the background work first, which no one usually sees. I prepare myself thoroughly, and then when it is time to move ahead, I am ready to sprint.
I was a member of the band when it was just, like, a conversation at a bar. Then we constantly practiced, we played shows, we tooled around in the studio. And then, when I moved and kind of bailed on that, is when... So, yeah, for the first, 'Mass Romantic,' I was heavily involved. Then, for a couple records after that, I was not really involved at all.
When I decided to move to Chelsea, I got a bit of stick at the time, but I didn't move just because of the money or just because it was a big club. I moved there because I wanted to play for them.
I was pretty young when I bought my first place, and at that time didn't really view it as an investment. After living there for a few years I decided to move out of London, so I decided to rent it out for a few years. Then, as the property market continued to rise, I made the decision to sell.
I was five when I did my first show with the Mountain Play Theatre company in Marin County. I started young, and since no one in my family was involved in the industry in any way shape or form, I think everyone thought I'd do a few plays and that would be it. But then I kept doing it.
We moved there a year ago, just as a weekend place. Then we decided to move out of London completely. We will eventually have to work it out a bit more, because you can't have a little boy living with his sisters like that, can you? But we like the idea of closeness.
Yes, we were looking for a Faith spin-off, but then Faith backed down. Eliza got a really wonderful offer over on Fox in a show, and, for reasons I didn't talk to her about, she decided to go there, and everyone respects that.
I started off first doing a TV series called 'Boston Common.' That was my first big job, and then I went on to do another half hour comedy show, and that was with Tom Arnold, called 'The Tom Show.'
A baby's existence for the first three months is a one-way street. One person is doing all the work and the other is crying, sleeping and pooping. So the first moment when you're actually able to do something and they acknowledge your presence, that's a big deal. A very big deal.
I moved to L.A. after my landlord in Brooklyn tripled my rent. I spent months looking for other places to move to in New York, then one day I was in California eating a grapefruit, and I was like, 'This is what they taste like?' So I decided to move to L.A. and build a studio in my house.
First, it was a big deal for girls to dress more like guys. Then it was a big deal for straight men to be metereosexuals and care about their appearance in the way that a gay man would. Now we have to take it a step further - men should be able to not wear men's clothes if they don't want to.
Do not wallow in your failure. Spend some time grieving, learn from it, and then move on. Constantly replaying what went wrong will not benefit you. Get involved in another company, another cause, another relationship.
I was always in show business but in many ways was not really of show business. I didn't move in show business circles, particularly, still don't do it.
When you're playing a spirit from another dimension, you really can do anything and get as abstract as you want and still have a context that will work within the movie. I wanted Ghost Rider to move in a way where it would be like a bad dream. I thought about cobra snakes, and the way that they will show you their backs and sway in a rhythmic motion and almost lull you to sleep before suddenly attacking. Well, I put that into the movie. And I decided to move my head in the jerky way a praying mantis does. So, I did all these things to give the movie a feeling of otherness.
You know how mountains get moved? Everyone who can move a couple, move a couple. Those who can move rocks, move rocks. Those who can move boulders, move boulders. That's how mountains get moved. If every one of us did everything we could, I believe we would be in a different world.
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