A Quote by Eric Idle

John Cleese once told me he'd do anything for money. So I offered him a pound to shut up, and he took it. — © Eric Idle
John Cleese once told me he'd do anything for money. So I offered him a pound to shut up, and he took it.
I wanted to be John Cleese. It took me some time to realise that the job was taken.
I wanted to be a writer-performer like the Pythons. In fact, I wanted to be John Cleese, and it took me some time to realise that the job was, in fact, taken.
If wisdom were offered me with the proviso that I should keep it shut up and refrain from declaring it, I should refuse. There's no delight in owning anything unshared.
"March" was inspired by "Martin Luther King and the Montgomery Story." I actually first heard about that comic from John Lewis, who told me that it played an important role in the movement. And so once he told me about that, it made me start thinking, "Well, why doesn't John Lewis write his own comic book?".
Stephen King told me a long time ago, when he gave me some advice about the movies. He said to take the money up front and expect it to be something different than the book and if you don't like that don't deal with Hollywood. But if you take the money, shut up and don't criticize the film because you sold it. The movie doesn't change a word of the book.
Judi Dench told me to shut up once. I was probably going on and on about something, in the way that I do sometimes, so she was being a good friend.
[NFL fans] wish they'd shut up and play football, and I think the vast majority of people, "Shut up and act! Shut up and sing! Shut up and star in your TV show! Just shut up and do what you do, but shut up!" I think they're wearing out their welcome.
I would remake 'Club Paradise.' I thought the story was cool, the setting was great. Everything lined up, except I wrote it for Bill Murray and John Cleese.
The owl and the pussycat went to sea, / In a beautiful pea green boat. / They took some honey, and plenty of money, / Wrapped up in a five pound note.
My father was a doctor, but his passion was making cars, and he was also very good at carpentry. He was a gem, and I don't blame him for not understanding me. When I told him that I would be leaving, he checked his pocket and took out 100-rupee note and gave it to me. He did not like that I was leaving, yet he gave me the money.
I see myself as the female John Cleese.
My principal once told me that I was a penny waiting for change. But I suspect that I irritated him probably because I was making more money than he was.
My father never once told me he loved me. I told him I loved him only one time - that was when he was sick. It was hard, the way he showed his love. I didn't understand what he was trying to teach me. Now I know, but it came too late for him to see it. After he was gone, I realized he was trying to strengthen my mind to make me better.
My friends actually used to call me the 'Female Conor Oberst.' I got to open up with him once, and I told him about that, and he thought it was hilarious.
To me, if you are in the same building with Peter Sellers or John Cleese, or any of those guys and holding your own making other people laugh, that's a compliment.
John Cleese was a big hero of mine. He grew up in Weston Super Mare near Bristol where I grew up; he was always very tall and gangly, but he was smart and used his physicality in a very funny way. I used to think, 'Well he came from Weston and he did it, so there's a chance for me.'
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