A Quote by Eric Johnson
As a performer, I'm happy if one person gets to see the work I do, but to have lots of people see it and appreciate it, it feels good.
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There's still a lot I need to do as a player, as a musician, as a sound creator. I have commissioned 170 pieces: that's still not enough, there are still lots and lots of composers I would like to approach. When I see a composer and I see a performer, I think to combine those forces.
I see the ups and downs. I see the mistakes I've made. I see a funny person. I see a serious person. I see a diamond. I see the good times. I see the bad times. And I see knowledge of self. I see knowledge of self. I know who I am. When I look in the mirror, I see me.
I was like, wow, this guy's [Donald Trump ] going to do well. And I remember people laughed at me. People were like, oh, you silly ignorant person who's just come to this world. You clearly shouldn't be at "The Daily Show" 'cause you don't know what you're talking about. And I was like, but I don't know. He seems like he connects with people. I can relate to him as a performer. I can see what tools he's using. He's good at riffing. He's good at taking the crowd on a journey. I can see what he's doing.
See yourself being a master of gratitude in the future. Mentally picture how this will help you feel joy the moment you are awake and are grateful for being alive. See how you can be grateful and happy for each breath. Realize that when you master gratitude, you will see a happy face every time you look into the mirror. See how your entire quality of life will be improved. See how other people will tell you that they enjoy being around you because you are such a happy person.
Sometimes you do have a good time. But when it gets to the point where you're sitting in your home and you're just trying to cover what you don't want people to know. It's painful. And then you want more just so that you don't let anybody see you cry. Or anybody to see we're not happy.
I'm a happy person. Sometimes, I have to make a conscious effort to stay happy. See, my predispositions are - as opposed to what you see - I'm actually quite a sensitive person, very empathetic, very emotional... Very impulsive.
Not that I wouldn't have been equally happy to see the old buddies and see it all start up again that way. But this was more of a work situation, and a very good one.
I am pretty weird - as weird as in my videos. The only difference is Lilly is not a performer, and Superwoman is. So Superwoman is very fearless. You'll never see her nervous. You'll never see her sad. But Lilly is a human. She is the person behind Superwoman, who gets sad and tired sometimes.
People recognize me once in a while and appreciate the work. It gets a little embarrassing, but it's good. If you work as an accountant, you don't have people coming up to you in the streets saying, 'Hey, great job on tax statements!'
Nashville feels like a big little town to me. It's got lots of culture and lots of interesting things to do and lots of interesting people. At the same time, it feels very small and tight-knit and very close. Everyone feels like they know each other.
It feels good to have a body of work that, 30 years later, people show up and say, 'Man, we appreciate you.'
I'm in what feels like a pretty transparent fishbowl as mayor. People see you at the market, people see you at the diner, people see you wherever you are, talk to you. You don't shave, they're taking selfies of you. You come back from your jog, they're talking to you.
Major success feels a bit like a coronation. Like I'd become a king. I was one of the most famous people in the world, loved and hated in equal measure. I couldn't see anything bad with it. It made me a happy person.
I so much appreciate it when anybody tries to make something and tries to be an artist - I'm happy to see the work.
It's always nice when people appreciate your work because it means you've affected them, which is great. And so that feels good.
A good photograph will prove to the viewer how little our eyes permit us to see. Most people, really, don’t see-see only what they have always seen and what they expect to see-where a photographer, if he’s good, will see everything. And better if he sees things he doesn’t expect to see.
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