A Quote by Eric Kandel

Indeed, artists, particularly modern artists, have intentionally limited the scope and vocabulary of their expression to convey, as Mark Rothko and Ad Reinhardt do, the most essential, even spiritual, ideas of their art.
I don't understand why a Mark Rothko painting - as much as I love Mark Rothko - has to cost $73 million. I mean, I think $14 million is a pretty reasonable sum of money for a good Rothko painting. What's disturbing about this present moment is that these prices have been so out of control.
Artists look at the environment, and the best artists correctly diagnose the problem. I'm not saying artists can't be leaders, but that's not the job of art, to lead. Bob Marley, Nina Simone, Harry Belafonte - there are artists all through history who have become leaders, but that was already in them, nothing to do with their art.
Well, Daddy, I used to believe that artists went crazy in the process of creating the beautiful works of art that kept society sane. Nowadays, though, artists make intentionally ugly art that’s only supposed to reflect society rather than inspire it. So I guess we’re all loony together now, loony rats in the shithouse of commercialism.
There are dance artists, painting artists and writing artists. Authors are writing artists. You can practice art in whatever medium you choose, and words are mine.
Some comic artists I've known are better than most contemporary artists with work hanging in Tate Modern.
There was a review by Fairfield Porter from the 1950s about Mark Rothko, one of the more hallowed names in American art. Porter says something like, "Yeah, Rothko paints rectangles of color. They have mass but no weight." That's not in any way a detraction, but it's a description. And it has nothing to do with the spiritual dimension. The main thing is as an intelligent viewer, to identify just what those things are that it does, that those rectangles do, and then not assume that they do these things over here. I don't know why that's challenging.
I never thought of what I was doing as a way to sell the NFL. I was making movies about a sport that I loved, about players and coaches that I respected. I wanted to convey my love of the game through film. And most artists convey their love through art. And my art and my love was expressed through film.
When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
I like the idea of the museum world and the university-academic situation where artists talk to each other or where artists or art students study with artists.
We do have Museums of African American Art in the United States, and there is a National Museum of Women's Art. However, I believe Latinos are best served by displaying their art next to the art of other groups, particularly North American, European, and even Asian artists.
In a way, I envy the freedom artists have. Artists can push themselves beyond their limits, in pursuit of their ideas and their vision, even if they are inhabited by demons that can also play tricks on them.
I would love to see more dialogue around the "responsibilities" of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
Even in modern art, artists have used methods based on calculation, inasmuch as these elements, alongside those of a more personal and emotional nature, give balance and harmony to any work of art.
Artists make art for themselves. Art is an honest expression. Artists who pander to their fans by trying to make music "for" their fans make empty, transparent art. The true fan does not want you to make music for them, they want you to make music for you, because that's the whole reason they fell in love with you in the first place.
A chart that weighs some ad-supported streams the same as a pay stream... encourages artists to promote free tiers to have a No. 1 record. That's great for the tech companies, but not for artists.
I've worked with jazz artists, country artists, classical artists, pop artists. I never wanted there to be categories, because when I was a kid there weren't.
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