A Quote by Eric Ladin
I guess working on 'Mad Men' turned me onto AMC and really got me watching the network, and so with that I got a good idea of the type of show they like to produce.
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When I first got pregnant, my husband and I were huge consumers of premium cable television, and we were watching all of these shows, and it would either be the B-storyline of a show like 'Homeland,' where she's a working mother, or you have even smaller C-storylines on a show like 'Mad Men.'
And so they pitched the show to me. It sounded like a good idea. We pitched the show back, and got it sold and got it on the air. And that's kicking the tail.
Like everybody else, I've got dark and light, trying to hold onto the civilized part and use it successfully. I'm sure that includes competition, but not in a way that I can recognize. Most of the games I like have more to do with the process of the game or the aesthetics. Racing's really about the aesthetics for me, not particularly the idea of coming in first - though I certainly appreciate a champion, and I like watching people do something really well.
When I grew up, I saw the moon landing, and I was fascinated watching them as a child, and that's what really turned me onto space and science fiction, and I started watching things like 'Lost In Space,' and that led me to 'Star Trek,' which was a major influence on my life.
What happens with 'Mad Men,' it's like an Elvis Costello album; I'll watch it, and then I immediately have to watch it again. AMC will play it back-to-back. I have a tendency to yell at it when my wife's not around because if she catches me yelling at 'Mad Men,' then it gets weird.
What happens with Mad Men, its like an Elvis Costello album; Ill watch it, and then I immediately have to watch it again. AMC will play it back-to-back. I have a tendency to yell at it when my wifes not around because if she catches me yelling at Mad Men, then it gets weird.
Producer Michael Davies - who did 'Who Wants to Be a Millionaire' - offered me a TV show, but I turned it down. I wasn't negotiating: It just didn't sound like a good idea. Then he offered me another show, and I said, 'No thanks' again. When I heard about 'Win Ben Stein's Money,' I thought, 'OK, that sounds like a good idea.'
I'm the type of guy, I get mad if I see you keep dribbling in front of me. I'm going to try to get it eventually. I just got a knack for the ball, I guess.
Cannabis always made me paranoid; I felt like people were watching me. And now I'm sober, and I've got this talk show in the middle of the night on CBS, and I now know that no one is watching me.
I guess that the salary that they get when they are working with me is, like, it beats working at McDonalds, so it has got some things going for it.
I'd really like people to see me as a real actress, which I am, but they don't. It's hard to get them to see me as a musician, they just see me as a hanger-on to the Stones, which is not what I am at all. It's a good idea, and if something like that would turn up I could do a whole television show. I've thought about playing a landlady, sort of a mad '60s lady, this absolutely insane character. I would love it. It's a great idea.
Yeah, well when I first started working, it was $5 a show; it was probably a little higher by the time I got to my own show, but I remember that they put me under contract at $100 a week, which to me was really an astronomical price.
I've got a strength and conditioning coach, a weights coach, but I've also got a nutritionist, a physiotherapist and a masseur available to me if I need it. It's quite a good network. I've also got sports scientists who record the technical information, so that, after the race, we can analyse the video and check comparisons between, not only me and the other competitors, but me and my best performance. I couldn't do it without these guys, but I'm the one who gets all the credit.
I had been drawing my weekly comic strip, 'Life in Hell,' for about five years when I got a call from Jim Brooks, who was developing 'The Tracey Ullman Show' for the brand-new Fox network. He wanted me to come in and pitch an idea for doing little cartoons on that show.
I had the opportunity to go on 2 tours with Selena Gomez and that really boosted the exposure and experience for me. It was when I got a shot at The Voice that I really got the biggest boost and got to show what I could do!
If I ever really felt depressed, I would just start putting on all my old records that I played as a kid, because the whole thing that really lifted me then still lifted me during those other times. It was good medicine for me, and it still does that for me when I put something on. Isn't it wonderful that we've got all that good medicine? I think it's got to be all part of our DNA, this mass communication through music. That's what it is. It's got to be, hasn't it? Music is the one thing that has been consistently there for me. It hasn't let me down.
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