A Quote by Eric Maisel

Artists are often poignantly careless about making and keeping friends. — © Eric Maisel
Artists are often poignantly careless about making and keeping friends.
. The key to all of that is keeping hold of humility and keeping hold of the people around you, and making sure you stay grounded with your family and friends.
I read my books to writing workshops and friends, and I'm often focussed just on keeping them entertained. I never think about marketing at all.
I might not be over-enthusiastic about socialising and making friends, but I am not a loner. I love hanging out with my friends, and I do it often when I am not working. Maybe, since I am not often invited to the 'happening' parties of our industry, where the media is around, I have earned the reputation of being a loner.
I often envy my friends who are visual artists. Visual artists have other things to work with. Other media. I envy my sculptor friends: they have hunks of matter. Marble. Wood. It's physical, which I find very appealing. What we have is nothing, is just glaringly blank.
There should be more love in Toronto when it comes to the music and entertainment scenes instead of keeping that Screwface Capital name. There should be more artists eating together, more artists celebrating together and more artists making music together. That's how I feel.
The problem of making artists talk about their work is that when they're making their work the left-brain is shut off. So if you talk to an artist about it, you're talking to someone who wasn't there. It's hopeless. And also it's insulting. It's implying that the work is not an adequate account of itself. To me, the greatest artists are almost entirely non-verbal.
I'm still very careless about my public persona. Not careless so to speak but I'm not one for fame. I think fame is the worst part about it.
When we Christians behave badly, or fail to behave well, we are making Christianity unbelievable to the outside world. The wartime posters told us that Careless Talk costs Lives. It is equally true that Careless Lives cost Talk. Our careless lives set the outer world talking; and we give them grounds for talking in a way that throws doubt on the truth of Christianity itself.
We are often like rivers: careless and forceful, timid and dangerous, lucid and muddied, eddying, gleaming, still. Lovers, farmers, and artists have one thing in common, at least - a fear of 'dry spells,' dormant periods in which we do no blooming, internal droughts only the waters of imagination and psychic release can civilize.
Often, especially young artists, you feel like you should be doing something. And I think that can be very destructive because creativity is about connecting with the stuff that's deep inside you and making something out of that.
The neurotic keeps minute track of his enemies; it is only his friends he is careless about.
Artists working for other artists is all about knowing, learning, unlearning, initiating long-term artistic dialogues, making connections, creating covens, and getting temporary shelter from the storm.
A person who is careless about money is careless about everything, and untrustworthy in everything.
In practice, downsizing is too often about cutting your work force while keeping your business the same, and doing so not by investments in productivity-enhancing technology, but by making people pull 80-hour weeks and bringing in temps to fill the gap.
When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
Making art in big cities is often frustrating and difficult. It's why artists are drawn to smaller places.
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