A Quote by Eric Maisel

When the artist activates his being, awakens to his surroundings, and sets himself the task of creating, connections are made out of conscious awareness that return coalesced as inspiration.
Take a young man from Gaza living in the most horrendous conditions - most of it imposed by Israel - who straps dynamite around himself and then throws himself into a crowd of Israelis. I've never condoned or agreed with it, but at least it is understandable as the desperate wish of a human being who feels himself being crowded out of life and all of his surroundings, who sees his fellow citizens, other Palestinians, his parents, sisters, and brothers, suffering, being injured, or being killed. He wants to do something, to strike back.
There is a myth, sometimes widespread, that a person need only do inner work...that a man is entirely responsible for his own problems; and that to cure himself, he need only change himself....The fact is, a person is so formed by his surroundings, that his state of harmony depends entirely on his harmony with his surroundings.
At the heart of the Christian message is God Himself waiting for His redeemed children to push in to conscious awareness of His Presence.
Man's main task in life is to give birth to himself, to become what he potentially is. The most important product of his effort is his own personality. One can judge objectively to what extent a person has succeeded in his task, to what degree he has realized his potentialities. If he has failed in his task, one can recognize this failure and judge it for what it is - a moral failure.
At one year of age the child says his first intentional wordhis babbling has a purpose, and this intention is a proof of conscious intelligenceHe becomes ever more aware that language refers to his surroundings, and his wish to master it consciously becomes also greater.Subconsciously and unaided, he strains himself to learn, and this effort makes his success all the more astonishing.
I believe that the unity of man as opposed to other living things derives from the fact that man is the conscious life of himself. Man is conscious of himself, of his future, which is death, of his smallness, of his impotence; he is aware of others as others; man is in nature, subject to its laws even if he transcends it with his thought.
To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.
More and more it seems to me that the philosopher, being of necessity a man of tomorrow and the day after tomorrow, has always found himself, and had to find himself, in contradiction to his today: his enemy was ever the ideal of today. So far all these extraordinary furtherers of men whom one calls philosophers, though they themselves have rarely felt like friends of wisdom but rather like disagreeable fools and dangerous question marks, have found their task, their hard, unwanted, inescapable task, but eventually also the greatness of their task, in being the bad conscience of their time.
A human being is a vessel that God has built for himself and filled with his inspiration so that his works are perfected in it.
The strongest statement ever made about women's rights appears on page one of the Bible. God's first words about his daughters established an indestructible foundation for women's rights because God anchored those rights in himself. By creating his daughters along with his sons in his image and likeness, God elevated every human being to the highest possible rank. Which means any mistreatment - verbal, emotional, or physical - of any woman or girl amounts to defacement of God himself, for she bears his image.
An artist is above all a human being, profoundly human to the core. If the artist can't feel everything that humanity feels, if the artist isn't capable of loving until he forgets himself and sacrifices himself if necessary, if he won't put down his magic brush and head the fight against the oppressor, then he isn't a great artist.
Compared with the person who is conscious of his despair, the despairing individual who is ignorant of his despair is simply a negativity further away from the truth and deliverance. . . . Yet ignorance is so far from breaking the despair or changing despair to nondespairing that it can in fact be the most dangerous form of despair. . . . An individual is furthest from being conscious of himself as spirit when he is ignorant of being in despair. But precisely this-not to be conscious of oneself as spirit-is despair, which is spiritlessness. . . .
There exists an infinite, eternal Being, subsisting of himself, who is one without being alone; for he finds in his own essence relations whence, with the necessary movement of his life, results the absolute plenitude of his perfection and his happiness. A Being unique and complete, God suffices to himself.
Before modern man can gain control over the forces that now threaten his very existence, he must resume possession of himself. This sets the chief mission for the city of the future: that of creating a visible regional and civic structure, designed to make man at home with his deeper self and his larger world, attached to images of human nature and love.
He that discovers himself, till he hath made himself master of his desires, lays himself open to his own ruin, and makes himself prisoner to his own tongue.
A man sets himself the task of portraying the world. Shortly before he dies he discovers that this patient labyrinth of lines is a drawing of his own face.
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