A Quote by Eric McCormack

I had a couple of decent laughs on Townies, but for the most part, delivering a joke that you just know is not funny is hard. — © Eric McCormack
I had a couple of decent laughs on Townies, but for the most part, delivering a joke that you just know is not funny is hard.
A joke is either funny or it's not funny. If I hear a funny joke, you know what I do? I laugh, that's what I do. I don't start a focus group to see who got hurt by the joke.
I detest jokes - when somebody tells me one, I feel my IQ dropping; the brain cells start to disappear. But something is funny when the person delivering the line doesn't know it's funny or doesn't treat it as a joke. Maybe it comes from a place of truth, or it's a sort of rage against society.
Comedy needs to happen naturally and be in touch with the character. When you see that guy in your office that everybody laughs at, he doesn't think he's funny. He's just being him, and that's the joke.
There are a lot of comedic actors who are just out to be the funny one and get all the laughs and they'll sacrifice your joke, the scene, the story just to be the star. All they want is attention and to be number one. You can spot those guys from a mile away and they're the worst.
Writin songs is like a mystery. The most difficult thing to do is have a good idea. If you have a decent idea, the songs are the easy part. Actually having something to say is the hard part. If you get an idea for a song, then it pulls you along. There are just some ideas that you get that are really hard to edit out; it's hard to stop thinking about some bad ideas. So you just finish it and you end up putting it on a record.
I always say, if I tell you a joke right now and it's funny, you laugh. Now, we set the lights, and I tell you the joke again, it's hard to find it funny the second time.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
There's different kinds of improv. There's Second City improv where you try to slowly build a nice sketch. There's stuff you do in college coffee houses where you just go joke, joke, joke. Bring another funny character with a funny hat on his head. Christopher Guest is more the line of trying to get a story out.
It's just my natural way - to be funny. I don't know why that is. But as I've said, humor is a quick cover for shock, horror, confusion. The critics hate funny writers for the most part. They think funny is not serious, but I think that funny can be even more serious than nonfunny. And it can be more affecting, too.
There's a difference between delivering real funny and just silly funny.
I'm about being funny. If I can make a joke using profanity, I will. But for the most part, that can get awfully old and boring.
Any joke can be funny, but not any joke is funny. Any joke has the potential to be hilarious to you, but more importantly, the joke has the potential to not be funny to you but to someone else.
I didn't know if I could be funny on stage or write a joke. But I saw that there are no rules. If you're funny offstage, you can figure out a way to be funny onstage.
I did five episodes of Townies as Jenna Elfman's boyfriend. I was a guest star, but it was the first time I really got to play laughs in front of a sitcom audience.
I have a couple of really hard, weird laughs every day.
There are a couple hard things. One, getting a funny idea that people can relate to; a funny idea or a funny script; there's a million pitches.
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