A Quote by Eric McCormack

I would come home with my friend Bill, and we would sit and watch 'Get Smart.' And I was Agent 44, and he was Agent 85. And it was a fantastic - and all we wanted to do was sleep with Barbara Feldon.
Barbara Feldon on 'Get Smart,' I wanted to be her.
When I wasn't working, I put the blame directly where it belonged - I blamed my agent. When I didn't have an agent, I spent time looking for a new agent so I would have somebody to blame.
I tried for years to get an agent because I was told you needed an agent. The agent-hunting process was grim indeed.
I didn't have an agent until I got 'Hairspray.' I had to get a Broadway show without an agent to get an agent.
If the agent aims to make the attempt if and only if it would be apt, then a distinctive element of risk assessment becomes relevant: How probably would the agent succeed in attempting that fuller end?
It's really hard to get a coffee with someone. I have to call my agent, my agent calls their agent, their agent calls their manager, the manager calls back, the actor sends someone to the manager... then you get, 'Yeah, yeah, I'd love to have dinner at six,' and all I wanted was coffee! It can take, like, six days to get coffee.
My brother is an agent, so he is in the business. Is he my agent? No, no, no. That would never work.
I'd knocked on doors when I'd gone to theater school in Los Angeles the summer of my junior year, trying to find an agent and submitting headshots, but nobody would see me, and I knew it was virtually impossible to get an audition if you didn't have an agent.
My agent sent me the script and I loved it. I wondered how they would turn me into a chimp. My agent said it would probably not entail to much time. Just some hair and make-up. I found out that it was not so simple.
You dont have to own squirrels and starlings to get enjoyment from them ... One day, we would like an end to pet shops and the breeding of animals. [Dogs] would pursue their natural lives in the wild ... they would have full lives, not wasting at home for someone to come home in the evening and pet them and then sit there and watch TV.
I was almost 8 years old when I was watching a kid on a TV commercial, and I told my mom that I wanted to do the same thing. She said that I would need to get an agent and that she would research it.
I have lunch with my friend who works for a theatrical agent and her and I were sitting there eating lunch on Sunset Boulevard and a woman who was a theatrical agent drove by and saw me and jumped out of the car and ran up and handed me her card. I had no idea this happens or would happen and I didn't know what to expect out of it. And my brother said alright you better call her and I said alright, why not? So that's pretty much how we got our first agent and then we started taking acting classes.
You come out of your MFA program with a cogent clutch of stories, trying to get an agent interested, and she or he admits these are quality, sure, but this agent actually needs something the publisher can make money on. So you get kind of bullied by the market into writing a novel.
I wanted an agent who would actually sell stuff. After two British agents failed comprehensively, I was reading Locus (the SF field's trade journal) and noticed a press release about an experienced editor leaving her job to join an agent in setting up a new agency. And I went "aha!" - because what you need is an agent who knows the industry but who doesn't have a huge list of famous clients whose needs will inevitably be put ahead of you. So I emailed her, and ... well, 11 years later I am the client listed at the top of her masthead!
My agent, Didier Fernandez - who's been my agent since I was 18 - has definitely been a mentor and a protector and a trusted friend.
For the record, I've never taken a bung in my life. I might have enjoyed a meal or a bottle of wine on an agent or two but that is it. I was earning £1.5m a year, so I didn't need a little bit extra from an agent. It would have been madness.
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