A Quote by Eric McCormack

I understudied Colm Feore quite a bit in '85 and '86 - 'Persephone' and 'The Boys from Syracuse,' too - and that was great, great training for me. He was and he is an amazing theatre actor.
Colm Feore. Newspaper column, Norwegian water. Column of steel, column of virtue, just for God's sake, Colm.
The first play I ever did was with Michael Langham, Brian Bedford, and Colm Feore, at Stratford Festival. That was my first professional job, and I got to work with Garland Wright and so many great artists.
You don't win an Olympic gold medal with a few weeks of intensive training. There's no such thing as an overnight opera sensation. Great law firms or design companies don't spring up overnight... Every great company, every great brand, and every great career has been built in exactly the same way: bit by bit, step by step, little by little.
School was great. There were no boys there, which didn't really bother me at the time because I had two brothers, so I was quite pleased not to spend any more time with boys.
I was studying with Stella Adler, who was a great, great teacher who encouraged me to be an actor. I had thought I would just write or direct or whatever. I wasn't thinking very much of Hollywood. I was thinking only of the legitimate theatre. But then I changed.
It was also great to have the Backstreet Boys appear on stage with me because I have gotten to know them all a little bit just recently, and not only are they great performers, but they also very hard working professionals and really nice guys.
Asim has done English theatre with Naseeruddin Shah and his group, Hindi theatre with Makarand Deshpande, and Marathi theatre with me. He is a hardworking actor - I am not saying this just because he is my son but as an actor and spectator.
My parents were fine at 85. So 85's nothing. 100 is another thing. I have a friend whose mother is about to turn 101, and it's not great.
We're blessed to be at a level in my career where I can afford to take out a bus of my own and bring my whole family with me, so that's great, too. The boys are out with us all the time, and it's just great to be able to turn around onstage and see my wife back there behind me.
I've always thought Ed Burns was a profoundly underrated actor. He's a great director, obviously. A great director/writer. But I think he's a stunning actor, too.
I have a full life: I have two amazing kids, I have great friends, great family. And right now, that's plenty for me to manage. A new relationship just seems like way too much work.
I'll be singing with The Blind Boys of Alabama, which is a great joy to me. I've done some work with them before, and they truly are amazing.
My dream as a youngster was to be like Olivier. To be a great stage actor. To be a great Shakespearean actor. To me that is the Olympics of acting.
Directing requires great discipline, that ability to be in and out at the same time. The great ones I've worked with are like generals. It's a bit like a small war on that level. The great ones have that combination of freedom and control. I'm nowhere near that. There's still so much to do as an actor. I have enough to explore with that.
In fact, I started my career as a theatre actor, along with Sachin Khedekar, with a musical play called 'Aflatoon,' where I sang quite a bit. So, singing isn't alien to me, but over the years, because of the constant abuse of smoking that I've put my throat through, my voice doesn't sound as good.
Getting bad reviews or doing something that's not great is also really good for you as an actor. It also makes me feel as an actor that I've earned my stripes a bit.
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