A Quote by Eric Nam

I was born and raised in the suburbs of Atlanta, which as you can imagine, was not the most diverse place to grow up in as a Korean American. — © Eric Nam
I was born and raised in the suburbs of Atlanta, which as you can imagine, was not the most diverse place to grow up in as a Korean American.
I grew up in the suburbs north of Atlanta. I had an amazing childhood, and I still go back to my home in Atlanta often.
The suburbs have always been like an American version of utopia and a reflection of their hopes and fears. Erika's version of American suburban utopia - which I am renaming the outer ring - is a diverse place, with affordable housing, the possibility for people to have small businesses, which is more realistic in the outer ring than in the city with its huge costs, decent public transportation and the ability to access art and cultural events. That's my dream for America.
We were the children of white flight, the first generation to grow up in postwar American suburbs. By the time the ’60s rolled around, many of us, the gay ones especially, were eager to make a U-turn and fly back the other way. Whether or not the city was obsolete, we couldn’t imagine our personal futures in any other form. The street and the skyline signified to us what the lawn and the highway signified to our parents: a place to breathe free.
You're trying to grow up, and you don't want to be like your parents, and that gets mixed up with being Korean... They brought their values from Korea, and I accepted them because I didn't know anything more. But as I grow older, I feel more Korean every year; it's very strange.
I was born in Paris and raised in the suburbs and then lived in the countryside.
I'm from the US of A. Born in Des Moines, raised in the New York suburbs.
I'm so used to America, used to the traffic in L.A., and I don't really feel it click with the Korean culture. But obviously, I have a Korean face, and I feel like that's just - you know, I can't walk around people like I'm, like, straight-up American. It's like, I'm Korean American. My parents are from Korea.
I was born in Okinawa, but on a U.S. Army base. And my father is Japanese-American which means that he is second generation, but my mom was born in the Philippines and raised in Okinawa. So, how do you know where you are generationally from? I can claim all three legitimately, but I like to say that I am third generation American.
The threat has changed from simply worrying about foreigners coming here, to worrying about people in the United States, American citizens - raised here, born here, and who for whatever reason, have decided that they are going to become radicalized and take up arms against the nation in which they were born.
I was really lucky to grow up in an extremely diverse neighborhood. I grew up in a city called Southfield, and it's one of the most diverse cities in the country. Just from the different socio-economic statuses and racial and ethnic groups I was around, I was around all different types of music from the beginning.
Obviously, I rep Jamaica. I'm a first generation born Jamaican-American. My parents are born and raised in Jamaica, my grandparents are born and raised in Jamaica, my other family still lives in Jamaica, and I still go back there.
I was born and raised in Atlanta, so you know I'm all about bringing quality things back to our community.
I grew up in the D.C. suburbs, and what I like about that place is that there's not a strong regional affect in the cultural imagination like there is in Dallas or San Francisco or New York City. You have a little more freedom as a novelist this way. The suburbs become a generic idea, and the place doesn't intrude into the narrative.
I'm a Brazilian - full blood, parents born and raised, and I lived there for a little bit - but I didn't grow up there.
I was raised in an Italian-American family in the suburbs of Westchester County, just a little north of New York City.
I grew up in the suburbs, sometimes country-like suburbs because we moved around, but mostly suburbs.
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