A Quote by Eric Nam
Coming to Korea and becoming a singer, I always had two big goals personally. One was to be able to make it at some point so that I could do good things - I was always raised with an interest in social impact, philanthropy. The other thing was to be able to take my music and do it on a global scale.
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If the US had a relationship with Russia, North Korea - which is our single biggest problem right now - North Korea, it would be helped a lot. I think I'm doing very well with respect to China. They've cut off financing; they've cut off bank lines; they've cut off lots of oil and lots of other things. And it's having a big impact. But Russia, on the other hand, may be making up the difference. And if they are, that's not a good thing. So having a relationship with Russia would be a great thing - not a good thing - it would be a great thing, especially as it relates to North Korea.
I was fortunate enough to have been raised to a certain point before I got into the race thing. I had other views of what a human is, so I was never able to see racism as the big question. Racism was horrendous, but there were other aspects to life.
I feel like I always had a yin and yang experience with music. I've always been able to rock out, and then I've always had to take piano lessons, too.
The worst frustration for a singer is choosing a career in making music and then not being able to make music because you're always giving interviews.
I was raised on piano and saxophone and jazz music for ten or twelve years. Before I even picked up a bass. My whole family has always pushed the arts, you know? My brother is a doctor of music and my cousin is an opera singer over in Austria. Arts were always a big thing in our family.
It's always this thing about being the big brother and the little brother coming to try to overtake the big brother. That always happens in families and in clubs - the young player hoping to take the old player's position - and City are hoping to overtake United. I don't think they'll ever be able to, though.
I had a lot of time to myself, and I would listen to a lot of music, mostly music that I knew fairly well and had a relationship with. And I'd think, well, what is it that I've never been able to do that this person or people are able to do with this song? Why haven't I been able to do it, and what can they do that I wish I could do? And then I'd try to do that. I'd start each day getting into the songs, and I'd think about how I might get closer to this music that I love, but haven't been able to make before.
I always worry that I'm a dilettante: I know something about lots of things but don't have exhaustive knowledge of much. Take dance music: I like enough of it and its history to be able to say a word or two about this or that record, but I'm nobody's authority. I couldn't name more than a couple of good drum'n'bass acts, and I have no idea what's big in the dance world right now.
I was raised by my father, who was a singer, songwriter, guitarist, and bass player. His brothers all did the same thing, so I was kind of always raised around the music.
I like the idea of becoming [fairly] good at lots of things rather than very good at just one thing. So it would be nice to be okay at the guitar or at the piano, a reasonable cook, perhaps able to fix your car or do some basic carpentry, and be able to write the odd article. Rather than being super good at one tiny thing, to be kind of average at lots of things. It might mean that you have a more kind of enjoyable, complete life.
I've always gotten good grades, you know, with my teachers and my English teachers, 'cause I was able to - they'd say, "What did you do for the summer?" I'm able to explain it to them in a written form. And my teachers always patted me on the back for that, being able to take what's in my mind and put it on paper.
Things always change and evolve and now there are a lot of other ways for people to hear music that weren't as available in the past. Yes there are way more venue closures, but at the same time there are so many newer ways via social media and other digital platforms for emerging artists to spread their music and make an impact.
We've got some real greedy hogs who own no interest in the company they're running, whose sole interest is in whatever it takes to be able to get to the point to fly out on their golden parachute and milk the shareholder and take risks that they shouldn't take.
It's always been a battle for me between personal goals and wanting to be able to share the success I've had with my family. And I guess as I've gotten older, I've kind of realized, you know, you can do all these cool things, but if you don't have people in your life to share it with, what's the point?
We had some pretty good at-bats off Carpenter. We just couldn't find any holes. That's the way it goes sometimes. We were able to get some guys on but weren't able to get them in early. We did some little things right, we got some guys on, we got some walks. We take it one batter at a time and everybody tries to stay within their own limitations. We did that, we just didn't get the big hit to get them in.
If you're going through a difficult time, and there's a piece of music that speaks to you - be it musically or lyrically or both - you are almost always able to access that music. You're always able to sit down with it.
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