A Quote by Eric Nam
From a strictly business perspective, it's like, 'Even if you leave Eric alone, he'll do stuff. He puts his own album together, he gets his own gigs, he does everything on TV. Let him be, he's fine.'
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When it comes to work ethics and business, I look up to Aziz Ansari. He's got everything together on his own terms. He does stand-up, comes out with books, and has his own show.
Reverence for life . . . does not allow the scholar to live for his science alone, even if he is very useful . . . the artist to exist only for his art, even if he gives inspiration to many. . . . It refuses to let the business man imagine that he fulfills all legitimate demands in the course of his business activities. It demands from all that they should sacrifice a portion of their own lives for others.
You have to get beyond your own precious inner experiences. The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings. The ideas of the great playwrights are almost always larger than the experiences of even the best actors.
An Athenian citizen does not neglect his state because he takes care of his own household; even those of us who are engaged in business have a very fair idea of politics. We do not regard a man who takes no interest in public affairs as harmless. We do not say that such a man 'minds his own business'. Rather we say he has no business here at all.
This is what an excellent teacher does; he does not follow his disciples' fancy everywhere, but leads them to his own mind, and pulls up the thorns, and then puts the seed in, and does not answer at once in all cases to the questions put to him.
That man loves God who puts his own life in harmony with him, and who serves his fellow men as though his life depends upon it, as indeed it does.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
The artist's business is to take sorrow when it comes. The depth and capacity of his reception is the measure of his art; and when he turns his back on his own suffering, he denies the very laws of his being and closes the door on everything that can ever make him great.
The wise man does nothing but what can be done openly and without falseness, nor does he do anything whereby he may involve himself in any wrong-doing, even where he may escape notice. For he is guilty in his own eyes before being so in the eyes of others; and the publicity of his crime does not bring him more shame than his own consciousness of it.
The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings.
A society that robs an individual of the product of his effort, or enslaves him, or attempts to limit the freedom of his mind, or compels him to act against his own rational judgment-a society that sets up a conflict between its edicts and the requirements of man’s nature—is not, strictly speaking, a society, but a mob held together by institutionalized gang-rule.
In a sense, the religious person must have no real views of his own and it is presumptuous of him, in fact, to have any. In regard to sex-love affairs, to marriage and family relations, to business, to politics, and to virtually everything else that is important in his life, he must try to discover what his god and his clergy would like him to do; and he must primarily do their bidding.
Why can't a man stand alone? Must he be burdened by all that he's taught to consider his own? His skin and his station, his kin and his crown, his flag and his nation They just weigh him down
Son, a man’d brand
Is his own special mark
That says this is mine, leave it alone.
You hire out to a man,
Ride for his brand
And protect it like it was your own.
The government of the enlightened king? His achievements blanket the world but appear not to be his own doing. His transforming influence touches the ten thousand things but the people do not depend on him. With him there is no promotion or praise - he lets everything find its own enjoyment. He takes his stand on what cannot be fathomed and wanders where there is nothing at all.
By the time Kafka was seven or eight years old, he already had a relatively dark view of the world derived from experiences in his own family. This told him that the world was organized in a strictly hierarchical manner and that those on the top were allowed to mete out punishment in any way they chose. They were entitled to leave those on the bottom uninformed about the rules to which they subscribed; they weren't even required to follow their own rules - this is how Kafka described it in his later Letter to My Father.
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