A Quote by Eric Partridge

When we are very young, we tend to regard the ability to use a colon much as a budding pianist regards the ability to play with crossed hands: many of us, when we are older, regard it as a proof of literary skill, maturity, even of sophistication; and many; whether young, not so young, or old, employ it gauchely, haphazardly, or at best inconsistently.
Young children learn in a different manner from that of older children and adults, yet we can teach them many things if we adapt our materials and mode of instruction to their level of ability. But we miseducate young children when we assume that their learning abilities are comparable to those of older children and that they can be taught with materials and with the same instructional procedures appropriate to school-age children.
In many ways, the ability to read is the great divide that separates the very young from everyone else. Once we've joined the conspiracy of the literate, once we've crossed over to the land of the reading, everything changes.
I think that you have to experience darkness to feel empathy. For all of my failings - and I have many - I do have a complete ability to emphasize with people. And that all goes down to being "other." When you're young you think otherness is a state only you possess. When you get older you realize, "Actually, there's so many of us." In that we find community.
I am an old man but in many senses a very young man. And this is what I want you to be, young, young all your life.
The ability to look at certain patterns with regards to urban fashion, with regards to swagger, with regards to cultural hegemony, with regards to the ways in which young people look at resistance culture as a pattern that should be mimicked and admired.
In terms of - my relationship with so many, many young people. I would - I would guess that there are many young people who would come forward. Many more young people who would come forward and say that my methods and - and what I had done for them made a very positive impact on their life. And I didn't go around seeking out every young person for sexual needs that I've helped. There are many that I didn't have - I hardly had any contact with who I have helped in many, many ways.
Even very recently, the elders could say: 'You know, I have been young and you never have been old.' But today's young people can reply: 'You never have been young in the world I am young in, and you never can be.' ... the older generation will never see repeated in the lives of young people their own unprecedented experience of sequentially emerging change. This break between generations is wholly new: it is planetary and universal.
A wound in the friendship of young persons, as in the bark of young trees, may be so grown over as to leave no scar. The case is very different in regard to old persons and old timber. The reason of this may be accountable from the decline of the social passions, and the prevalence of spleen, suspicion, and rancor towards the latter part of life.
In many of my books, I explore the ways in which grandparents or other older persons are shaped by the young, and the young are shaped by the old, in an evolving dance.
Death during adolescence feels unfair. We're young. We're invincible. Death is supposed to come with old age. When death breaks into our lives and steals our innocence, its finality leaves us unnaturally older. There are too many elderly young people.
For now, whether you are young or whether you're young at heart, I do have one final ask of you as your president, the same thing I asked when you took a chance on me eight years ago. I am asking you to believe not in my ability to bring about change, but in yours.
Like many young women, I grew up believing that (1) physical ability wasn't very important, and (2) I didn't have any.
When I was young, the old regarded me as an outrageous young fellow, and now that I'm old the young regard me as an outrageous old fellow.
I am perhaps the oldest musician in the world. I am an old man but in many senses a very young man. And this is what I want you to be, young, young all your life, and to say things to the world that are true.
I am very emotional. It took me many years to recover from the death of my father. Even when I was playing cricket, I wasn't happy. I would just sit and cry. I was very young. He was too young; he shouldn't have gone. Cricket is all right. We all play sport. Good and bad days come.
Of course some people manage to write books really young and publish really young. But for most writers, it takes several years because you have to apprentice yourself to the craft, and you also have to grow up. I think maturity is connected to one's ability to write well.
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