A Quote by Eric Roberts
I have a movie coming out called Spun, which will be at the Toronto Film Fest.
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My first film was a movie shot in 1974. I was 18 on that movie set. It was called 'Big Bad Mama.' I turned 19 on the next movie I worked on, which was a black 'Blazing Saddles.' I worked in the art department. It was called 'Darktown Strutters.'
I scored a movie called 'Endangered Species'. I worked on another movie called 'Staying Alive'. A German film called 'Fire and Ice'.
Well, we find the Toronto blessing in every city we go to. I believe that it is a blessing indeed. ... the Toronto blessing has to be kicked out of the church - kicked out of the church into the world! If in each neighbourhood prayerhouse, there is a manifestation of Jesus, which I believe in its purest form that's what the Toronto blessing is, then the entire neighbourhood will flock to that house.
I did a film which was considered an independent movie with Dustin Hoffman and Andy Garcia called Confidence, and that's the type of film I was willing to take a chance on that because of the caliber of people involved with the film.
Toronto is one of the biggest spots for music; Caribana and OVO Fest and all that stuff, it's a lot of fun.
I first visited the Toronto fest in 1979, its fourth edition, when it was known as the Festival of Festivals and had an audience of about 40,000. I happily returned to the 10-day skein nearly every year thereafter, as attendance swelled to 400,000 and it grew into the most influential film festival in North America, perhaps the world.
Al Gore is coming out with a movie about global warming called ' An Inconvenient Truth. ' It's described as a detailed scientific view of global warming. President Bush said he just saw a film about global warming, 'Ice Age 2; The Meltdown.' He said, 'It's so much better than that boring Al Gore movie.'
I love Donnie Darko movie so much. Just before I got that script, I had been to see some European art film. I walked out of that movie and said to my husband, "That's what I want to do! I want to do an art film and take it to the edge." Within two weeks, we were getting ready to go on vacation, and my agent called.
We did the original 'Stargate' as an independent movie. It was a surprise success. Shortly before the movie came out, the financiers who were frightened the movie might not do well sold the film to MGM. When the film came out, it was a hit and spawned TV shows.
My hope is that the film Wall Street 2 will actually serve as a way for us to bridge that gap between Wall Street and Main Street. Certainly that's dealt with in the film of how it does affect everybody, so, you know, I always find that when you can create a movie or a play or a book that gives somebody a safe theoretical place to discuss what is really going on in the day it tends to forward discussion, so that would be my hope coming out of the film.
I'm just open to doing all different kinds of movies. I have a movie called Scout coming out and it's a coming of age story. [] I have a very small role in it, but it was really fun to make and really light, but I do want darker roles.
'Rudhramadevi' is a film which falls into a very new genre. It is a historic and biographic genre movie. It should be called a bio epic. I am curious to see how the audiences accept the film.
Sometimes I feel like I have walked into the middle of a movie. Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady who is the prosecutor called me. MONSTER.
I think people were not expecting us [with Robert Ben Garant] to, they were just like, "Well here come the writers," but we both were coming out of a sketch comedy background, so when we pitch a movie, we play every character in the film. You act it out, you perform it - you do a 10-minute performance of the movie.
I've got a New Zealand film coming out here called Out of the Blue. It's a very heavy story, and it's the first time I've played a character who is alive.
I think the situation in Toronto is such that there are funding organizations which make it easy for a film to raise more money than it needs and very often that works against a film.
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