A Quote by Eric San
You can say battle or war or whatever, but in the end, it's music. It's not really violent in intent at all, it's really just about expression and celebrating that in itself.
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I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.
I would say the special experience of American wartime policy in the last 40 years, from Vietnam on, is that the war itself became controversial in the country and that the most important thing we need in the current situation is, whatever disagreements there may be on tactics, that the legitimacy of the war itself does not become a subject of controversy. We have to start with the assumption, obviously, that whatever administration is conducting a war wants to end it.
I love '80s happy music. I love Cyndi Lauper and Madonna, and the idea of making music that's about people celebrating fun. I spent my late adolescence in New York and I used to go to a lot of gay clubs. The music there was always just about love and connection and celebrating life. I think, for people going through something really hard, to go to a place where you can let loose and listen to music as a distraction, that's about a better place, a better way of life - that's where all the attraction lies.
So about 80 years after the Constitution is ratified, the slaves are freed. Not so you'd really notice it of course; just kinda on paper. And that of course was at the end of the Civil War. Now there is another phrase I dearly love. That is a true oxymoron if I've ever heard one: "Civil War." Do you think anybody in this country could ever really have a civil war? "Say, pardon me?" (shoots gun) "I'm awfully sorry. Awfully sorry."
I'm JaVale McGee, the basketball player, funny guy, whatever, whatever. But I'm just really passionate about music and I don't want people to look at it like 'Oh he's just doing it to get famous.' I'm already pretty famous as is, so I'm not really trying to do it for the money.
I hit this point - I guess you'd say an end of a chapter - where I felt like I kind of did everything. I wasn't interested in music. It was a really strange feeling, and needless to say, it freaked me out a little bit. I really started to go inward and say, 'Hey, what is this about?'
I'm really an inner spirit that only makes itself known through the music. A lot of people think I'm an introvert, or quiet and moody. I've even heard some people say that there's a certain mystery or darkness about me. I'm not that way. I'm just really into what I do.
All of my friends are really good dancers, which was initially why I never danced - we'd go out and they would kill it and I'd be like, "Yeah, I'm just gonna sit at the bar." I broke my foot, and I couldn't run for a year, but I realized I could kind of dance. It reminded me how amazing dance is; it's so in tune with music - it is music. It's a physical expression of whatever music is. On stage, you're interacting with things - physical things. So I've really started to like and notice the way people move with music.
If you really look at hip-hop dance, it's really a rites-of-passage thing. You never see the arms release down. They're always up in fighting position. It's going to war. What do we say? We say your're going to battle. You go out there and fight.
I don't like music docs, usually. There's nothing to really say. What can you say about music? Normally, you can't say too much. There are a few really good ones, but the majorities are boring, I think.
Just never really got into cars and flossin' or never really cared, like I was always the type of person that felt like as long as I make enough money to support my family with this music that's all I really care about. You know what I mean so I don't really buy, I'm just not into like that many material possessions and stuff like that, because at the end of the day, it's just not that important.
It can be hard to say if someone has a deliberate intent to defraud or if they are just really, really bad at their business. But even if people are unpublishable, it doesn't mean they should be ripped off.
I think 'Piranha' won't be in the guilty-pleasure category, because it's gonna be - well, yeah, maybe for some people. From what I've seen, it has a sense of humor about itself, and it's also really scary and really, really violent. I would call it a popcorn movie from the planet Popcorn.
The writer's intention hasn't anything to do with what he achieves. The intent to earn money or the intent to be famous or the intent to be great doesn't matter in the end. Just what comes out.
The left have taken a really beautiful thing, male-female relationships, and turned them into a battle, a political battle, an ideological war. And if you doubt me, what is the War on Women? What the hell is it? How crazy is that entire concept, that there is a political party conducting a War on Women because they hate them. And the fact that they can sell that to their voters and make political gain on that basis is damn amazing to me. And yet how many people do you know who really believe that there's a War on Women, that Republicans/conservatives don't like women?
There's this really amazing quote from Jim Jarmusch about celebrating your theft that I think has become more and more prominent in music: "It's not where you got it from, it's where you take it." To me, that's just an integral part of why I even bother making music. I don't mind that I've created an identity around what I do.
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