A Quote by Eric Stonestreet

People don't realize how long hours are when you're shooting a movie. — © Eric Stonestreet
People don't realize how long hours are when you're shooting a movie.
I wondered how I was going to do it and keep my job at Rolling Stone at the same time. They were very nice, and they let me disappear for two days a week for a couple of hours. That's how long shooting was.
This is not a documentary. Are there essential truths that are captured by this movie? I think unquestionably the answer is yes. Do you have to change certain things to make it work? The book is called '13 Hours'; the movie is two hours long.
When you go from movie to movie, it's like going from family to family. You work with people for really intense hours on really long days and a bond happens. So even when a movie is terrible, you love it.
Ghost Team approached me. They said, "Hey, it's mid-October, do you want to go shoot a movie on Long Island for three weeks about stupid people chasing ghosts?" I had never done anything like that before. It's kind of a mock-horror movie. What I didn't realize was the whole thing takes place at night, as a horror movie should, and so I didn't realize that we'd be working until 6 in the morning every night, or morning.
You have to realize, in real life, the gun battle lasted for over three hours, and the movie's only two hours long. My hat's off to all those stuntmen who laid it on the line and hurt themselves doing what they had to do to get that done because in real life, we all died, and the only reason I'm sitting here is because of modern medicine.
When you're done shooting, the movie that you're going to release when you're done shooting is as bad as it will ever be. And then through editing, and finishing the effects and adding music, you get to make the movie better again. So I'm really hard on myself and on the movie.
I think making movie is kind of like getting fat people to walk 20 miles. If you just do it 100 yards at a time, and nobody knows how far they are going, they can do it!I would include myself in those fat people! You do this little by little and you don't realize your potential, or you don't realize how really rich, and how far you can go.
You don't see what's gone before. A lot of that can be long, long boring hours in the gym, long, long hours on the track or, for the likes of Paula Radcliffe, long hours out on the road in the rain running and running.
I'm not a long movie person. I have a very short attention span. If you give me a 90-minute movie, that's perfect. When it gets to be two hours, that's a little bit too long for me.
I don't know what has happened to movies, but lately every movie is at least 20 minutes too long. It used to be that if you were three hours long it was because it was epic - a movie about Gandhi; something with very important subject matters.
In kindergarten, we'd tell stories with our toys. We'd set a timer for two hours because we knew that was how long a movie was.
I guess one of the main things you realize when you work as an entrepreneur is that it's long days, long hours.
Four months after we finished shooting, I'd been in New Orleans shooting another movie and my agent and I were having a bite to eat - actually in London - and he's sitting there and goes, 'Wow, I just can't believe how ripped you are.'
Whether I'm shooting 10-under or 10-over I have to realize people have come a long way to see me play. I can't be back-handing putts.
I love to tell stories, but the making is less comfortable. I like to be private, and being in the middle of a film crew with the least amount of privacy is the discomfort of shooting a movie. For me, the editing is the great moment when I can bring back ideas and realize the movie for the last time before I hand it to the audience.
When your tummy is full - even while shooting for long hours - you feel good.
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