A Quote by Eric Thomas

Because when I'm a copycat I'm never good! But when I'm Eric Thomas, I'm great! I'm great at what I do! — © Eric Thomas
Because when I'm a copycat I'm never good! But when I'm Eric Thomas, I'm great! I'm great at what I do!

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Good is the enemy of great. And that is one of the key reasons why we have so little that becomes great. We don't have great schools, principally because we have good schools. We don't have great government, principally because we have good government. Few people attain great lives, in large part because it is just so easy to settle for a good life.
As long as you're being a copycat, you will never be the best copycat.
Great players are very good technically, but they also have a huge amount of character because, without it, you will never get to see that great technique because it vanishes under pressure.
Eric Cantona is a great player, but he's not as good as Ryan Giggs
When I come to England, I don't claim England; I don't own it. I feel a great kinship because of the literature and the landscape. I have great affection for Edward Thomas and Philip Larkin, but there's still this distance: looking on at what I'm admiring, separate from what I am. And that's OK.
I'm a great mother because of my intentions on being a great mother; I'm a good friend because I'm loyal; I'm a good daughter because I've hopefully made my mother proud; I'm a great human being because I accept that there's a spiritual being underneath it all. I've always been a woman of faith.
There are people who are great technical players like Eric Clapton, and there are people who are great intuitive songwriters like Daniel Johnston. There are sometimes people who are great at both the technique and the creativity, the two sides of the coin, maybe Jimi Hendrix.
I think it was W.H. Auden who said he was lucky that his first favorite poet was Thomas Hardy, who was a good but not a great poet, because if you are exposed to the greats too soon it can just squash you as a writer.
Great loves were almost always great tragedies. Perhaps it was because love was never truly great until the element of sacrifice entered into it.
I'm not Ed Reed. I'm Eric Weddle, and you're going to get a great Eric Weddle that does a lot of amazing things on the football field. And there's no pressure; pressure is self-inflicted.
I was raised in an Irish-American home in Detroit where assimilation was the uppermost priority. The price of assimilation and respectability was amnesia. Although my great-grandparents were victims of the Great Hunger of the 1840's, even though I was named Thomas Emmet Hayden IV after the radical Irish nationalist exile Thomas Emmet, my inheritance was to be disinherited. My parents knew nothing of this past, or nothing worth passing on.
I've heard the stories. Like, Eric Clapton said he wanted to burn his guitar when he heard Jimi Hendrix play. I never understood that because, when I went and saw a great drummer or heard one, all I wanted to do was practice.
Not only do you need great lyrics, a great message, a great story, great vocals, great chords... you also need great instrumentation, great editing, great sonics, great mixing, and great mastering. It all comes together to make something truly great, and I think each element combines together to create a powerful impact on the consumer.
I'm such a copycat."I want to try and do this like the Donovan song 'Changes'," or "I want to do this bit from Van Morrison." I don't know how else to illustrate something, because I'm not a super-great musician. In that way, I'm more like the producer.
Thomas Davis was a great man where poetry is concerned, and a better than Thomas Moore. All over Ireland his poetry is, and he would have done other things but that he died young.
You should never settle for what you think is just good. You should drive the editors and writers and everybody nuts until it's great. And if you don't go for great, you won't end up with good. You've got to go beyond your wildest dreams because the exigencies of filmmaking are going to smash you into the ordinary.
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