A Quote by Eric Weiner

Haydn, Beethoven, Mozart, none of them were born in Vienna. They all moved there. It became a magnet, but what made it magnetized in the first place? There has to be a seed there. In the case of Vienna of about 1780, it was this deep-seated love of music.
You need some reason why Beethoven, Mozart and Haydn in the 18th century all flocked to Vienna. What was it about Vienna? They must have known on some level that that is where they would flourish. It's what biologists call "selective migration."
Salieri was a pupil of Gluck. He was born in Italy in 1750 and died in Vienna in 1825. He left Italy when he was 16 and spent most of his life in Vienna. He's the key composer between classic music and romantic music. Beethoven was the beginning of romantic music, and he was the teacher of Beethoven and Schubert.
From Vienna with Love' will build a bridge across the globe from Vienna to Sydney, full of music, love and fun. I am really looking forward to performing with the Sydney Symphony Orchestra and fabulous guest artists who all have ties to Vienna and telling a story with music that inspired me and songs from my debut album.
I am a song of my times. I wasn't living in Vienna, like Mozart or Beethoven. In my circumstances, it was impossible to be indifferent.
Music was literally in the air at the time, the Vienna of 1780. Everybody played music, classical music. There were in fact so many musicians that in apartment buildings people had to come up with a schedule - you practice at 5 p.m., I'll practice at 6 p.m. That way the music didn't collide with one another.
My parents came a long time ago to Vienna, met in Vienna. Of course they had to go through a lot also, but we're very happy to have our home in Vienna.
My idea was to go to Vienna to study conducting and perhaps play in an orchestra first, so I thought before I got to Vienna I could do with a little training in Paris.
With a piece of classical music by Haydn, Mozart, or Beethoven, on first listening I'm referencing it with other pieces by them that I know. I think that most people do this - they listen to pieces through the filter of pieces they already know.
I really like the city of Vienna. I like its art, its music and its architecture. In short, I like the culture that Vienna represents. What really captures me is the period around 1900 - the time of Freud, Schnitzler and Klimt. This is the period in which the modern view of mind was born.
Someone like Mozart moves from Salzburg to Vienna, where all of the sudden he finds this musical city that is not only asking for music, it's demanding music of him.
The climate suits me, and London has the greatest serious music that you can hear any day of the week in the world - you think it's going to be Vienna or Paris or somewhere, but if you go to Vienna or Paris and say, 'Let's hear some good music', there isn't any.
Lord, if there is a heartache Vienna cannot cure I hope never to feel it. I came home cured of everything except Vienna.
My parents genuinely loved Vienna, and in later years I learned from them why the city exerted a powerful hold on them and other Jews. My parents loved the dialect of Vienna, its cultural sophistication, and artistic values.
I started piano lessons at age six but didn't take music seriously until I was a teenager, when I thought about a career in music. I studied classical music, and my instruments were guitar and piano. I played keyboards in bands, and after high school I went to Vienna to study at the Academy of Music. I also became a session player, which culminated in my work with Tangerine Dream.
How did Haydn and Mozart produce such vast quantities of formally perfect art? They worked from a perfect formula. In music, Beethoven was the Great Emancipator.
Beethoven I take twice a week, Haydn four times, and Mozart every day.
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