A Quote by Eric Whitacre

I write music that sounds complex but isn't. I frankly never think in terms of theory. — © Eric Whitacre
I write music that sounds complex but isn't. I frankly never think in terms of theory.
I don't write anything that I haven't lived. In terms of integrity, you have to write what you live. And if you write beyond what you live, it is theory. And theory is not helpful. It is just not.
Rock stars are idiots. You know that! Remember this moron never went to music school, never learned music theory and can't read or write music. So why not be suspicious of everything this idiot says?
I think it laughable, frankly, that the physics community comes up with a theory for everything. There isn't one theory for everything. There is not one explanation. We may eventually have several theories that can tie things together nicely but there is not a single theory of everything.
I was very young, maybe five. The opera was very... I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music... that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.
But I think schools also ought to be fair to all views. Because, frankly, Darwinism is not an established scientific fact. It is a theory of evolution, that's why it's called the theory of evolution.
I write at the piano, so I write things that fit comfortably under my hands, and I'm not thinking in terms of any specific compositional methods. I'm just seeking sounds.
I think the Ambitious Lovers never got their due- we had terrible management and at that point, we were on major labels and we didn't have any music business savvy which we could have used. We made a series of hilarious mistakes not in terms of music but in terms of making it happen.
Because for me, '60s pop music is amongst the most complicated or complex music because it has so many resonances which strike you. The music itself is often simple, but the way that I interpret it, or the way I think it's interpreted culturally, is very complex.
I've never really been a big fan of comedy songs, frankly. I think I enjoy the emotional payoff that the best music achieves to want to waste too much time turning good music into a joke.
Generally, I like Indian music because the melodies are usually not too complex, which is how I like music, and that's the way I write music.
The lyrics seem to follow the music, and that's usually how I write. I write more about what comes out of my mouth while I'm writing the chords, and that seems to work better than filling up notebooks of what I think is really cool poetry, and try to put it on a song. That usually sounds like it's taped on.
Classical music is a genre of music. It's no more complex or less complex than pop music or R&B. The elitism is weird.
I have come to terms with the fact that it's called pop music - that's what I play, and that is what I write. I think it is a pretty broad category.
I think the problem with the term graphic novel is it sounds pompous, it sounds pretentious, whereas on the continent, they call it an album, which to me sounds, it's got more much of a connotation of a kind of a music single and an album collection.
I don't know that there is a, quote, 'hip-hop lifestyle.' I think the music responds to complex social issues and injustices; I think it also raises complex social questions.
When I hear people who love my music and are trying to copy it, it sounds strange to me because it sounds so simple, made by other people. It took me a lot of years to find the balance, to find a way to be on the edge of being accessible but at the same time having the echo of a deep, more complex world.
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