A Quote by Eric Wight

I had no idea the amount of people who even knew who I was. Suddenly, they were coming up and saying, "You're my favorite artist." Very surreal. After years of trying to get work, and then coming here and being able to meet some of the fans of Array.
I get star-struck anytime I meet performers that I grew up watching and appreciating. I mean, it's still incredibly surreal to me that I was a kid in San Antonio watching movies and then now I'm working with some of the people that were in those movies. I don't think it'll ever stop being surreal on some level.
There are many different types of people that end up coming to me and saying 'Yeah I want to cook.' Some of them successful, some not. There's no one formula, but if I get someone coming through the backdoor who knows that they want to get into the cooking field, they feel this inside-out love for it, this attraction to it, that person is an awful lot easier to work with.
I knew so many people were coming up to me because they knew who I was, not because they were fans of my music. That bothered me because I don't want to be a celebrity; I want to be an artist.
Sometimes I feel people can move past what they've grown up around and their surroundings while in a place and some people need closure after they've left and then coming back. I've seen it happen with people I knew growing up that hated each other, and then years later you go home and you see them walking down the street and they have babies.
Growing up, all I saw was my parents trying to be the best people they could be, and people coming to them for wisdom, coming to them for guidance, and them not putting themselves on a pedestal, but literally being face-to-face with these people and saying, "I'm no better than you, but the fact that you're coming to me to reach some sort of enlightenment or to shine a light on something, that makes me feel love and gratitude for you." They always give back what people give to them. And sometimes they keep giving and giving and giving.
My back was starting to deteriorate and basically what happened was I just couldn't walk after a couple of matches here and there. I never had an MRI and I never knew what was going on in my body for so long, and then it was coming to point where I was always wrestling and not being able to walk after.
Well, I ain't even gonna lie I used to wear fake jewelry when I was coming up, like trying to get on. But I just understood that you had to have that image as a rapper, as an artist, just to have the attention.
I am an artist. For me, a picture is like poetry. When you make art, this is not coming from an intellectual place. It's coming from the deep side of your unconscious, your soul. And you are like in some kind of possession, where you are doing anything to get the visual. You become another person. You're becoming an artist in action. And then a lot of miracles come. A lot of discovering. It's a very complicated thing.
Coming to Manchester, maybe I didn't show all my potential, but in every game, I'm trying to do my best because it's very important for me, the fans, and the club. Maybe in some games it doesn't work, but I still keep working and trying to improve.
It was really hard coming to terms with the Nazi history. Then in my twenties I was traveling to Germany. There was a lot of poetry activity and some of my first readings abroad and trying to relate with people my own age there and what they were discovering and learning had to examine in terms of their backgrounds. Then so many of my friends had family who had either perished in the holocaust or survived in the holocaust. It was very palpable.
And then, one Thursday, nearly two thousand years after one man had been nailed to a tree for saying how great it would be to be nice to people for a change, a girl sitting on her own in a small café in Rickmansworth suddenly realized what it was that had been going wrong all this time, and she finally knew how the world could be made a good and happy place. This time it was right, it would work, and no one would have to get nailed to anything.
Whether it's coming from FDR or it's coming from Ronald Reagan, if the idea is right for the times then we're gonna apply it. And things that don't work we're gonna get rid of.
Years ago, while being in an airport in Australia, I happened to meet with David Helfgott. I knew that he was a bit fond of me and I was personally a fan of him. We were so happy to meet and hug and we had a very warm conversation together. Since that time.... about 20 years ago, I have not meet him again. I think that he is a very good pianist !
When I do things, like, with Josh Grobin, or he has so many fans, and I get people after my concerts, classical concerts, all the time coming back and saying, 'Never heard of you until I heard the song with Josh Grobin.' Then they're now classical music fans, which is something I think we need to reach a wider audience.
People in England were coming up to me, saying, My mother and father turned me on to your music. This happened to me 20 years ago. When I was 40 they were saying that.
After the NFLPA game, coaches were coming up to me and saying, 'We didn't even know who you were, we didn't even know your name; we weren't supposed to be even looking at you, but man, we have no choice.' And, like, the NFLPA game, I wasn't even invited until the last minute.
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